Centre Georges Pompidou

An incident with his neighbor sends director Barbet Schroeder on a quest for inner peace.

Média 000" is an oneiric microcosm describing the ultimate apogee of a world mediatized to the extreme. The 11 minute program is the main videotape of an installation made up of two screens, diffusing two distinct tapes, synchronized with two sets of slide projectors, and organized around a cybernetic sculpture representing a lengthened young woman connected to the screens. The witness penetrates an obscure black lighted room, symbolizing a scientific research laboratory.

"Chronicles of the Present Times" - An experimental trilogy. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.

A documentary about Jacques Lacan and his influence on the main tendencies of modern psychoanalysis. It begins with a series of interviews with psychoanalysts who knew Lacan, and then presents an overview of Lacanian theory and practice that explores what actually happens in psychoanalysis.

Upon receiving a series of photographs taken from an ATM security camera, Calle becomes involved in a perplexing fifteen-year investigation. She manages to steal three surveillance tapes, and interacts with strangers, bank employees, and a pawn shop merchant in an attempt to clarify the meaning of money, security, and the anonymous photographs. The images, originally exhibited in an installation entitled Cash Machine, are now presented as the central narrative in this unresolved investigation.

In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always blended science with surrealism. Ruiz and friends further perfect the art of mystification. Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer François Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions. (IFFR)

"For reasons of health, Lee Kang-sheng and I moved to the mountains. We don't have any neighbors. Our house is part of a row of dilapidated houses. I love these abandoned houses. I often walk around in them casually. I think they are beautiful. I said to Lee Kang-sheng: we don't have to go elsewhere to make films anymore. I'll make all my remaining films right here. I got some old chairs and some of my paintings and arranged them in these abandoned houses. And thus, this film was made." Tsai Ming-liang

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

A documentary about Louise Bourgeois by director Camille Guichard. Bourgeois created art for more than fifty years and at the time of filming was still creating.

An initiative from Pompidou Center, filmed by Jean Marie Straub.

Documentary about the life and work of the Hungarian composer, Gyorgy Kurtag

Jacques Rozier followed Bernard Ménez's tour in 1984 after the surprise success of his song "Jolie poupée". From a timecoded video in the possession of Jacques Rozier, post-production work was carried out in 2001 under the supervision of the director for his retrospective at the Center Pompidou. The element resulting from this work was digitized by the Cinémathèque française at the Hiventy laboratory in 2021.

In this documentary, director Mariana Otero looks at the daily life of a college in the "difficult" commune of Saint-Denis in the suburbs of Paris.

A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

While researching their subject’s life for their feature My Life and Times With Antonin Artaud, co-directors/writers Gerard Mordillat and Jerome Prieur made a documentary on the famed French actor/writer/poet that died in 1948 at the age of 51.

A video derived from footage Godard kept from his 1981 visit to Francis Ford Coppola's Zoetrope Studios at the time he was making Passion.

Third part of the Jacques Toumoy trilogy.

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

In the fall of 2010, Bozon and co-conspirator Pascale Bodet commandeered the first floor of Paris’s famed Centre Pompidou for 10 days of screenings, lectures and performances that amounted to a counter-canonical history of French cinema. During the ensuing merriment (entitled Beaubourg, la dernière Major !) audience members were invited to observe the daily making of this film, directed by Bozon and written by Axelle Ropert, about an inexperienced young journalist (Laure Marsac) sent to the Pompidou to interview a maverick artistic impresario (Thomas Chabrol). The result is an unexpected love story that is also a record of this landmark exhibition, featuring cameos by Raul Ruiz, Paul Vecchiali, Luc Moullet and more !