Cinemora Pictures

A girl is trying to escape her “home”. In her case, it’s tranquility.

Of the 700 families who lived in Kampung Kebun Bayam, Papanggo, North Jakarta, only 76 remains. The village, which was founded in 1997, was once a successful urban farming community. However, the situation has changed. The gardens have already been demolished, the houses are now in ruins. In recent years, the construction of the Jakarta International Stadium has been accompanied by the gradual departure of the residents of Kampung Kebun Bayam. This film was made together with the residents of Kampung Kebun Bayam, recording the situations of their final days, including humorous and heartwarming things. Buildings can be razed to the ground, but the feeling of community, collective memory, and friendship that has existed for years make them forever be the residents of Kampung Kebun Bayam.

Bonar, a filmmaker from Jakarta, goes to a hotel at Pelabuhan Ratu beach to search for his new film's inspiration. On day three, suddenly, he loses his laptop when the hotel housekeeper cleaning his room. Bonar asks the hotel staff to investigate who stole his laptop. Then, something mystic happens. It's odd that, suddenly, all people at and around the hotel only speak in Sundanese, neither in Indonesian nor in other languages. Bonar is puzzled because he cannot talk in Sundanese. Then, a mysterious woman named Lilis comes and speaks in Indonesian. She asserts about knowing the stealer's suspect. However, in one condition that Bonar needs to help Lilis for creating a film about the romance story of her grandparents.

A land spirit who fall in love with a mountain spirit on a hot day.

Sandekala is like a slender man who turns into wewe gombel. "Kasareupnakeun" is proof that child sacrifice is real. According to experts, the slender man is a very famous child kidnapper ghost in Germany. This MV does not describe a slender man, but Wewe Gombel's subordinates who are ready to face the threat of a shaman. Once again, he transformed into wewe gombel in the land of Padjadjaran.

Willy, a photographer, visits Gilda's luxurious boarding house to make a photo series about Gilda's daily life in her room before she moves abroad. When the photo session started, a mysterious smell came to disturb Willy's concentration.

Three distinct settings uniquely portray three separate stories of old friends reunited, a young man's reckless ambition, and love found amidst tragedy. These disparate tales converge to explore complex themes of friendship, ambition, and love, weaving a poignant relationship between two people in each story.

Vaiyang, a film director, wants to rent a house for making his new movie that owned by a woman named Ning. However, the agreement has the condition that he must accompany Ning until her death prediction is coming tomorrow.