Yes Docu

“Time Machine” goes back 30 years and depicts the narrative of Rockfour, one of the most significant rock bands in Israel. Formed in Holon by members Eli Lulai and Baruch Ben Izhak in 1988, Rockfour reached local success with the release of “The Man Who Saw It All” after which they began writing in English. In 2000, seeking world success, the band embarked on a four-year journey of intense touring throughout the USA. At a crucial moment in the midst of the American tour and following an emotional turmoil, lead singer Eli Lulai decides to quit the band and instantly returns to Israel, leaving the rest of the members to complete the tour as a trio. After a decade of absence and after the band continued its musical creation without him, Lulai returns to Rockfour, causing great excitement amongst Rockfour fans. Nevertheless, no one can guarantee a happy end.

A documentary following Kaveret's last tour.

Ze'ev Revach, Israel's popular comedian, became trapped in the typecast that would later become his prison. From the prestigious stage of the Cameri Theater to film characters engraved in cultural memory, Revach struggled to find his place between worlds: between religion and secularism, between cult cinema and high art. Through rare footage and extraordinary testimonies, "Better Days" traces Revach's complex story—a cinematic journey of passion and tragedy, revealing a screen legend we never truly knew.

A fast-paced and entertaining documentary about the people who simply cannot keep quiet.

Although he spent most of his life fighting ethnic discrimination, Yosef Shiloach is best remembered by the public for his comedic roles in Bourekas films. Yet behind the clownish image that clung to him was a deep, complex, and courageous artist who sought to change Israeli reality. He met with Yasser Arafat in his office and fought for peace—actions that ultimately forced him to leave the country. Shiloach was also a prolific writer—of songs, poems, screenplays, and more. Through his writings and rare, personal footage filmed by his daughter, we gain insight into the inner world of a man who began supporting his family at age nine and became one of Israel’s greatest actors.

When Irmy, a soon-to-be-dad comedian goes to his own father asking for money, he finds out that his only inheritance is a tiny piece of land in the occupied Palestinian territories. To make things worse, he also finds out that extreme-right-winged Jewish settlers have settled in his land and made a winery out of it. Together with his father, Irmy wages war on the settlers, army, and Israeli government and demands his land back! What begins as a personal quest to recover this contested piece of real estate quickly evolves into a humorous activist adventure that exposes the mechanisms of the occupation.

In 1999, after a 23-year absence, gifted musician Ahuva Ozeri is planning a comeback. She's recording a new album - The Bells are Ringing. Ahuva, considered the queen of the Middle Eastern music, sits at home and makes a living as a cook at a meat restaurant. She hopes to break out again with the new album. But at the end of the recording, she is diagnosed with throat cancer and undergoes surgery where her vocal cords are cut. She loses her voice forever, but the album is very successful. It managed to cross audiences and becomes a consensus. This film is based on rare never before-seen materials, sketching her life's course.

Raised in an orthodox home, Amos Dov Silver dreams of becoming Prime Minister. But when the State continues to shun him, he soon finds unexpected solace in the velvety smoke of Marijuana. Spreading his new Torah, he establishes an online community using a mobile app called "TeleGrass" that turns into the largest marketplace for drugs in Israel, raising Silver to Messiah status. Through exclusive footage of Silver, his family and his partners’ investigations, as well as secretly filmed footage of Silver in the Ukrainian prison, a polarizing portrayal of the man charged with heading a crime organization emerges. Champion of the people, or a lost soul corrupted by power?

The film follows 10-year-old Oleg, whose life has been turned upside down by the ongoing war in East Ukraine. Oleg lives with his beloved grandmother Alexandra in a small house in a village on the frontline. Most people have left the village, but Oleg and Alexandra love their life together there and want to stay on and take care of each other. But life is becoming more and more difficult and the war does not seem to end.

Rabbi Capoeira reveals a dramatic and unknown occurrence in the heart of Bnei Brak, the largest ultra-Orthodox city in Israel. The hero of the film is the Capoeira champion of the Mediterranean. He is an ultra-orthodox man whose life was saved by Capoeira, who wants to revolutionize his beloved society, despite the strong criticism he has towards it. Together with his dream partner, a brave ultra-Orthodox woman with a tough life story of her own, he fights like a lion and is not ready to take no for an answer.

Or Brandes, a reserve soldier serving in Gaza as a tank driver and a psychology student, broadcasts an improvised podcast to fellow soldiers over the military radio network. From candid conversations about fear and denial, to feelings of revenge, through jokes and absurd banter, the soldiers open up with striking honesty. Using excerpts from the radio communications alongside intimate footage from combat, the film offers a rare glimpse into the inner lives of soldiers in the aftermath of October 7th.

Twenty years before the spectacle of Donald Trump, Benjamin Netanyahu already understood the political benefits of a toxic relationship with the media, and direct communication with the public. King Bibi explores Netanyahu's rise to power, relying solely on archival footage of his media performances over the years: from his days as a popular guest expert on American TV, through his public confession of adultery, and his mastery of the art of social media. From one studio to another, "Bibi" evolved from Israel's great political hope, to a controversial figure whom some perceive as Israel's savior, and others - as a cynical politician who will stop at nothing to retain his power.

At 75, Geula broke up with her husband Arik, 77. A contractor built a wall that divided their house in two. This intimate, funny, painful and surprising family journey reveals why it took them 55 years to break up.

The deceptive and surprising story behind the shocking headlines about the Jerusalem pedophile network. Have more than 100 ultra-Orthodox children been sexually abused? Or was there a witch hunt here that ended in murder?

The director's mother's last wish was to be buried as a Muslim in Omer, her Jewish hometown, where she lived for 20 years. During the process of separation from the mother, the film reveals the family intimacy, secrets, and dilemmas, raises serious questions about women's identity, nationality, and the meaning of home.

The river and nature are placed in the forefront of the film, taking on the role of the main character. Through rare archival materials in addition to personal and social stories, we reveal the importance of the connection between society and its land, between nature and man. This is a portrait of one small river that flows in the heart of the Israeli society and reflects the Israeli narrative through an entirely new lens.

With the aid of four actors in a rehearsal room, filmmaker Nur Fibak lays open the police investigation and court proceedings against the man who had molested her, revisiting the case as it unfolded from the moment she decided to seek justice. The film opens a unique window into the workings of the Israeli criminal justice system in sexual offense cases. Behind closed doors, during the cross-examination, everything is permitted, including asking invasive questions, doubting the woman on the witness stand, and forcing her—that same traumatized child, now grown up—to experience a second kind of abuse.

A young Jewish woman named Helena Citron is taken to Auschwitz, where she develops an unlikely romantic relationship with Franz Wunsch, a high-ranking SS officer. Thirty years later, a letter arrives from Wunsch's wife asking Helena to testify on Wunsch's behalf. Faced with an impossible decision, Helena must choose. Will she help the man who brutalized so many lives but saved hers?

Four women and four men who make up a mosaic of Israeli society, meet for a therapeutic photography group led by Israel Prize winning photographer Alex Liebek for a year. Each and every one of the group's participants is related in one way or another to post-trauma. It has a mother of a post-traumatic, a wife of, a child of, a woman who served as an observer, and four men of various ages, some of whom are not diagnosed or recognized as post-traumatic. From Liebek's iconic photos and from photos that the participants bring themselves, an intuitive and authentic discourse develops about post-trauma as a social phenomenon that has penetrated every home in Israel, about audio-visual images as shapers of consciousness and also about the way to grow from trauma through sharing, recognition, creation, humanity and compassion.