Yes Docu

A distinctive and potent take on the Israeli-Palestinian conflict that feels divorced from larger political or cultural concerns. Instead, the film chronicles a small, surreal world detached from reality — a place where Palestinian homes were turned into soldiers’ party playgrounds — and a contemporary effort by those soldiers to make sense of their former selves.

Twenty years before the spectacle of Donald Trump, Benjamin Netanyahu already understood the political benefits of a toxic relationship with the media, and direct communication with the public. King Bibi explores Netanyahu's rise to power, relying solely on archival footage of his media performances over the years: from his days as a popular guest expert on American TV, through his public confession of adultery, and his mastery of the art of social media. From one studio to another, "Bibi" evolved from Israel's great political hope, to a controversial figure whom some perceive as Israel's savior, and others - as a cynical politician who will stop at nothing to retain his power.

The film follows 10-year-old Oleg, whose life has been turned upside down by the ongoing war in East Ukraine. Oleg lives with his beloved grandmother Alexandra in a small house in a village on the frontline. Most people have left the village, but Oleg and Alexandra love their life together there and want to stay on and take care of each other. But life is becoming more and more difficult and the war does not seem to end.

Raised in an orthodox home, Amos Dov Silver dreams of becoming Prime Minister. But when the State continues to shun him, he soon finds unexpected solace in the velvety smoke of Marijuana. Spreading his new Torah, he establishes an online community using a mobile app called "TeleGrass" that turns into the largest marketplace for drugs in Israel, raising Silver to Messiah status. Through exclusive footage of Silver, his family and his partners’ investigations, as well as secretly filmed footage of Silver in the Ukrainian prison, a polarizing portrayal of the man charged with heading a crime organization emerges. Champion of the people, or a lost soul corrupted by power?

When Irmy, a soon-to-be-dad comedian goes to his own father asking for money, he finds out that his only inheritance is a tiny piece of land in the occupied Palestinian territories. To make things worse, he also finds out that extreme-right-winged Jewish settlers have settled in his land and made a winery out of it. Together with his father, Irmy wages war on the settlers, army, and Israeli government and demands his land back! What begins as a personal quest to recover this contested piece of real estate quickly evolves into a humorous activist adventure that exposes the mechanisms of the occupation.

Although he spent most of his life fighting ethnic discrimination, Yosef Shiloach is best remembered by the public for his comedic roles in Bourekas films. Yet behind the clownish image that clung to him was a deep, complex, and courageous artist who sought to change Israeli reality. He met with Yasser Arafat in his office and fought for peace—actions that ultimately forced him to leave the country. Shiloach was also a prolific writer—of songs, poems, screenplays, and more. Through his writings and rare, personal footage filmed by his daughter, we gain insight into the inner world of a man who began supporting his family at age nine and became one of Israel’s greatest actors.

A documentary following Kaveret's last tour.

The river and nature are placed in the forefront of the film, taking on the role of the main character. Through rare archival materials in addition to personal and social stories, we reveal the importance of the connection between society and its land, between nature and man. This is a portrait of one small river that flows in the heart of the Israeli society and reflects the Israeli narrative through an entirely new lens.

A journey into the wedding night, where an ultra-Orthodox Jewish couple gets to know each other for the first time.

Four women and four men who make up a mosaic of Israeli society, meet for a therapeutic photography group led by Israel Prize winning photographer Alex Liebek for a year. Each and every one of the group's participants is related in one way or another to post-trauma. It has a mother of a post-traumatic, a wife of, a child of, a woman who served as an observer, and four men of various ages, some of whom are not diagnosed or recognized as post-traumatic. From Liebek's iconic photos and from photos that the participants bring themselves, an intuitive and authentic discourse develops about post-trauma as a social phenomenon that has penetrated every home in Israel, about audio-visual images as shapers of consciousness and also about the way to grow from trauma through sharing, recognition, creation, humanity and compassion.

A documentary about the life, work and death of Inbal Perlmutter. A local rock legend, different sex symbol and a trailblazing woman who was mysteriously killed in a car crash at the age of 27.

A young Jewish woman named Helena Citron is taken to Auschwitz, where she develops an unlikely romantic relationship with Franz Wunsch, a high-ranking SS officer. Thirty years later, a letter arrives from Wunsch's wife asking Helena to testify on Wunsch's behalf. Faced with an impossible decision, Helena must choose. Will she help the man who brutalized so many lives but saved hers?

In 1999, after a 23-year absence, gifted musician Ahuva Ozeri is planning a comeback. She's recording a new album - The Bells are Ringing. Ahuva, considered the queen of the Middle Eastern music, sits at home and makes a living as a cook at a meat restaurant. She hopes to break out again with the new album. But at the end of the recording, she is diagnosed with throat cancer and undergoes surgery where her vocal cords are cut. She loses her voice forever, but the album is very successful. It managed to cross audiences and becomes a consensus. This film is based on rare never before-seen materials, sketching her life's course.

30 years after their emigration, Danni interviews his family and tries to learn their story to reconcile with the past.

With the aid of four actors in a rehearsal room, filmmaker Nur Fibak lays open the police investigation and court proceedings against the man who had molested her, revisiting the case as it unfolded from the moment she decided to seek justice. The film opens a unique window into the workings of the Israeli criminal justice system in sexual offense cases. Behind closed doors, during the cross-examination, everything is permitted, including asking invasive questions, doubting the woman on the witness stand, and forcing her—that same traumatized child, now grown up—to experience a second kind of abuse.

Israel's most celebrated war photographer, Micha Bar-Am, unfolds his extraordinary archive of over half a million negatives. A life devoted to recording a conflict for the prestigious Magnum agency.

Family Affairs is an Israeli documentary film directed by Gil Golan, which was released in 2013. The film tells the story of Gil, a treacherous man who came from a family where infidelity has always been an integral part of the relationship. Gil embarks on a documentary journey into the depths of family history on the question of whether it is possible to break the pattern that is passed down from generation to generation.

The film brings for the first time the story of the Israeli radio station Beit Shidir. With the establishment of the State of Israel and the immigration of Jews from Arab countries, the radio station was an active site for producing intelligence and political warfare against Arab countries in the 1940s, 1950s, and 1960s. From the outside, it was a radio station that broadcast news and songs in Arabic, whereas in practice, the broadcasts were used by the administration for propaganda, psychological warfare, changing public opinion in Arab countries, and activating agents through codes implanted within the broadcasts. Soon the broadcasts became the most terrifying threat that agitated the rulers of the Arab world, and the broadcasters in it were named by the competing radio stations ‘The Israel Broadcasting Corporation’s Propaganda Orchestra’.

Diana, Ilana, Rona, Shelly, Rucha and Liat openly speak about their life in prostitution: from the initial lure, through learning the rules, to survival strategies. They present stories of independence, resourcefulness, pain and trauma, expressing an extreme feminine and human experience. Michaela (pseudonym) – a young woman currently engaged in prostitution, sounds off on the struggle to survive, turning her cellphone camera into a weapon. The women challenge what is expected of them – to be ashamed and conceal themselves.