Selig Polyscope Company

The lure of the white-top and the music of the band is food for the bronco buster and he is happy with plaudits of the gathered throng. The grand entry is on and all is agog with excitement as Tom and Jerry cut their capers. Just then Sheriff Ketchem rudely announces he has an attachment for an unpaid feed bill at Hebron, Ind., and proceeds to "sew" the show up.

Each year the unique surroundings and novel characters of this great and typical American custom is becoming more and more obsolete and in a few short years entirely extinct. Can you imagine a more exciting or sensational picture than a great cattle stampede, curbed by fearless cowboys and dauntless riders of the western range horse?

Earliest known example of African American intimacy on screen. This version is shot with a wider view and shows more of the vaudeville stylings of Saint Suttle and Gertie Brown and their stage act.

Earliest known example of African American intimacy on screen.

A tramp steals a housewife's pie, and is pursued by her bulldog, which latches onto his rear as he scrambles over a fence.

An early version of the classic, based more on the 1902 stage musical than on the original novel.

In this Western, the sergeant takes his commander’s daughter on a horseback ride along the Merced River (which actually might be Oregon's Clackamas River). When their horses are stolen by a renegade, they are forced to travel back to headquarters by foot and lose the trail. In the first clip, mounted troops search for the lost couple. The two are found the next day and the sergeant is disgraced. However, the sergeant proves his mettle when he escapes during an Indian attack and leads reinforcements to the rescue. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation New Zealand Project in 2012.

A tramp kills a generous woman. In revenge, her husband tracks down and lynches the tramp.

The Spoilers is a 1914 film directed by Colin Campbell. It is set in Nome, Alaska during the 1898 Gold Rush, with William Farnum as Roy Glennister, Kathlyn Williams as Cherry Malotte, and Tom Santschi as Alex McNamara. The film culminates in a spectacular saloon fistfight between Glennister and McNamara. It was adapted to screen by Lanier Bartlett from the Rex Beach novel of the same name.

Jim Carson, a young farmer, loves the school teacher, Helen Dale, and they expect to be married. His father unexpectedly marries a widow who has a son, Arthur Vaughn, an actor. Arthur creates havoc with Helen's heart and the plans of Jim are disarranged.

Archie Sheldon, determining to go to New York City, is given a letter by his mother to Thatcher Thole, Gotham's most unscrupulous financier. She tells her son that Thole is an old friend of the family, and will undoubtedly give him a start in life.

Billy Silver, a young trapper, lives with his wife and little baby up in the region of the snows. Billy is energetic and finds trapping profitable. One morning while he is out examining his traps, the cabin catches fire. In the distance he hears the cries of his wife for help, and hastening to the scene as rapidly as he can

Bill Williams, a poor inventor with a large family, suddenly comes into great wealth through the sale of an invention. Sudden affluence turns his head, and he changes at once from the plodding mechanic of the dingy shop into an ultra-fashionable man of the town.

A young man transforms his uncle's palatial residence into a sanitarium only to end up paying back the money his patients gave him.

The Emerald City in all its splendor with all the familiar characters so dear to the hearts of children - Little Dorothy, the scarecrow, the woodman, the cowardly lion, and the wizard continuing on their triumphal entry to the mystic city, adding new characters, new situations, and scintillating comedy. Dorothy, who has so won her way into the good graces of lovers of fairy folk, finds new encounters in the rebellion army of General Jinger [sic] showing myriads of Leith soldiers in glittering apparel forming one surprise after the other, until the whole resolves itself into a spectacle worthy of the best artists in picturedom. Those who have followed the two preceding pictures of this great subject cannot but appreciate "The Land of Oz," the crowning effort of the Oz series.

Horace Wadsworth (played by Guy Oliver), one of a gang of criminals also planning a bank robbery in New York, steals the titular prayer rug from its Baghdad mosque. He sells the carpet to antique dealer George Jones (Wheeler Oakman) to fund the robbery scheme. But the theft places both men and Fortune Chedsoye (Kathlyn Williams), the innocent daughter of another conspirator, in danger from the carpet's guardian.

Adaptation of the novel by Alexandre Dumas

Stephen Brice, a young lawyer in Civil War-era St. Louis, falls in love with Virginia Carvel, the daughter of his benefactor. But she is loyal to the South and Brice is committed to Lincoln's cause. In the course of the war, their convictions separate them, and Virginia becomes engaged to her cousin Clarence Colfax, a Confederate officer. Brice becomes an officer under General Sherman, and eventually finds himself faced with the captured Colfax, facing execution for spying. Brice must decide whether or not to intercede in his rival's behalf.

John Sharon, a steel magnate is immensely successful from the worldly point of view, while Ed Young, his humble employee, views himself as a failure because his income shrinks as his family responsibilities increase. Sharon's only son is a drunken disappointment, his wife becomes alienated from him, and his daughter falls critically ill.

A picture which illustrates an Indian myth, a poetic love story of the long ago, in which a despised musician is refused the privilege of marrying the belle of the tribe. He proves himself not only strong enough to kill his rival, the tribe's stalwart warrior, in a struggle for the girl, but is able to make a magic flute which can and does restore the girl, now lying dead. In the closing scenes, the picture shows a short glimpse of modern life which suggests that the old myth is being played, in part, again.