Moonmakers

Those of us who fly in airplanes probably don’t think about those who fly through Riga Airport on their own wings. But on any given day, up to 30,000 birds might visit the airport. And it would only take one… Airport wildlife control employee Mareks would like to go to church and light a candle for luck before he goes to work every day. In fact, all of us need that luck – it’s just that we’re not aware of it. Maybe that’s a good thing. Understanding wildlife that might turn up at the airport and making sure that the paths of birds, animals and airplanes don’t cross is a very real job.

In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

A touching tribute to the distinguished Lithuanian cultural figure Irena Veisaitė. Having survived the Holocaust and lost her loved ones, but refusing to give in to hatred, she chose forgiveness over revenge, dialogue over silence, and love over hatred, becoming an inspiration to many.

Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.

Mother takes her eight-year-old daughter Antonia to a children’s creativity camp. Antonia is not happy about having to spend time under close adult supervision. On their way, she spots a sign saying ”The Robots Have Escaped!” The sign unleashes Antonia’s imagination and grows into a fantasy of how exciting her stay in the camp might turn out to be. Of course, Antonia’s and the robots’ paths intersect at the camp, where they intend to steal children’s dreams during their afternoon nap to convert them into ingenious commercials. Thriller-like events unfold. Thanks to Antonia’s inquisitive and rebellious nature and with her best friend and favourite toy Yeti by her side, the robots’ intention is averted.

In a private farm, a butterfly is born only to be sold as a prop for a concert. Its journey to the music hall reflects the struggle to survive in the modern-day civilization.

In the small Lithuanian town, a prison transforms into a migration center amidst a significant crisis. Housing men from the Middle East, South Asia, and Africa, it becomes a modern-day Tower of Babel. Residents find solace in communal activities like cooking and praying, connecting to their roots. It's only in sleep that they break free from the migration center, dreaming of their homelands - the plains of Africa, bustling streets of India, and war-torn cities of the Middle East. Over time, as walls are repainted and relationships form between migrants and staff, the center changes. A year later, it empties suddenly, leaving behind a silence and a reminder of the impermanence of life.