P.U.R.N Production

In 1992, political prisoners from North Korea settled in the South Korean town where filmmaker Dong-won Kim lived. Sent to South Korea as spies during the war, they spent 30 years in jail. How did they endure the many years of torture? What will become of them now that they have been released? Twelve years in the making, Repatriation is a very personal view of a country divided by an ongoing cold war.

A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.

This documentary is an "Asian report" on so-called international prostitution. The subject matter of parasitic tourism in Jeju Island in Korea is focused on, and it is said that international prostitution in Asia has a relationship between countries, focusing on Thailand and Japan, and that it is not only a problem between countries biased by the flow of capital, but also in the context of "sexual culture" with long roots. In the second half, the question is what is the alternative and what is the boundary between prostitution and non-prostitution in the current situation that is considered to be like "ghetto" because it is separated from the life of the general public.

When it was decided that the 88 Olympics would be held in Seoul, the residents of Sanggye-dong were forced from their homes and they struggled against the government to at least guarantee them new residences.

In 2009, five tenants of the Yongsan district, who were forcefully evicted from their homes staged a sit-in and were burned to death. This film by Mun Jeong-hyun recalls the many movements of Korean civil rights and activism and asks where all the idealism went, even as the atrocities return today.

A documentary about the unconverted long-term women prisoners who had been captured as communist guerillas in South Korea and despite decades of imprisonment and social ostracization continue to uphold their cause of reunification and national democracy. The film follows the women as they attend reunification rallies, meet with a new generation of activists, march in protest of the war in Iraq, visit the DPRK to take part in the Inter-Korean Women’s Reunification Rally, reminisce with their comrades, tend to their families, and bury their comrades.

An old dog is living in a vacant lot. Camera approaches the villagers to reveal the dog. While people share their memories, memory and reality are intertwined to form an atmosphere.