The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

A documentary that scientifically analyses and tracks down the route of the Sewol Ferry that sank on the 16th of April in 2014 using its AIS to discover the cause of the unconfirmed sinking.

What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow.

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

Let's look back at the 18th presidential vote. The 13,500 ballot boxes were taken to 251 ballot count locations and were sorted by 1,300 automatic ballot openers. The chairman announced the sorted data and soon it was announced to the public. But something strange happened. The 251 ballot count locations found 'a number' that have the same pattern. Scientists, mathematicians, statistician and hackers from all over the country start looking into the secret of 'this number'. The result is tremendously shocking...

At the hospice, the average remaining time for patients is 21 days. These patients prepare for their deaths. Park Soo-Myeong is 40 something year old man who is also a husband and father. Kim Jung-Ja is a mother of two sons. Park Jin-Woo was a math teacher. Shin Chang-Yeol lived a lonely life.

An international project that spans across Korea, China, and Japan, Lash challenges viewers to think fundamentally about the human existence and humanity. The three chapters titled “Messenger,” “Message,” and “Messiah” feature workers of a Chinese sex doll factory, a politician dreaming of innovating the Japanese political system with AI robots, and a middle-aged Japanese man living with a sex doll.

Every weekend, the gay male choir G-Voice rehearses in Seoul. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. Besides preparing for their big day, G-Voice are also politically active, singing for equality and against discrimination.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

A dying merman asks a friend to give his remains to his daughter, hiding amongst the humans. Tasked with this dangerous journey, the merman secretly heads to the land of humans. He is chased by a new civil servant recruit fueled by curiosity and hatred.

HANA KOREA is a poignant and powerful tale of a young North Korean refugee’s pursuit of happiness in South Korea. As she navigates her new life, Hyesun must confront the challenges of letting go of her past while finding her own place in a hypermodern society that demands sacrifice and surrender.

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

A devoted soldier of the Taliban's ideology that has shaped his destiny since birth, Samim (23) struggles between the alluring promises of martyrdom and the mundanity of his daily existence as a husband and farmer. Samim's younger brother, Rafi (14), idolizes his big brother as he navigates the confusion of adolescence, leaving behind playfulness to enter a world shaped by decades of military intervention and resulting radicalization.

A sequel to "Porosity Valley, Portable Holes" (2017), this piece expands upon the previous work through a fictionalized depiction of the migration of the migrant/mineral/data cluster known as Petra Genetrix. Juxtaposing refugee migration with digital migration, both of which characterize migration in the 21st century, the work creates a speculative space-time by interrogating the “ways of existence” and the “ways of representation” of the Yemeni refugees who recently arrived in South Korea. Reflected here is the state of affairs in which refugees are treated as a kind of malware or virus that threaten the immune system of the nation state.

Devi's life was upended following her arrest during Nepal's civil war accused of rebellion. Tortured and raped while in custody, she faced depression and isolation. Despite hardship, Devi joined rebel forces and became a prominent member of Parliament.

Woman’s body bleeds regardless of her will. Through untold ages, this bleeding has been the symbol of secret, mystery, fervor and disavowal. The process of bleeding which has been taken care of with any absorbent materials, however, has undergone changes through critical moments of human history. NPR, the public channel in USA declared the year 2015 as ‘The Year of the Period,’ and ‘Free Bleeding Movement’ arose also in Korea. Numerous startup companies launched products for “New Bleeding.” Over a million viewers are visiting pages of sanitary-products-reviewing youtuber, and politicians start to talk about the blood. The walls of information collapse, and women choose their own way of “how to bleed.”

Moti Khan, a musically gifted child from the lower caste Muslim Manganiyars of the Thar Desert, is forced to sing and play music for their ancestral patrons in order to survive, even though he finds it humiliating. Sattar, his father, wants Moti to study and make a career outside music. But Moti aspires to be a successful singer so that he is treated respectfully. He leaves his village behind and sets out on a journey to discover his music.

After the wave of #MeToo movement stories from various circles, did sexual violence survivors return to their normal lives? Finding the new 'normal' is now in the hands of those individuals. Even though the cases were closed, their memories always take them back to the past. Blighted by violence, their bodies stiffen up even with little touches. From getting out of bed, taking a shower to leaving the house, everyday is a battle with themselves. While many survivors feel they're body still remain in the past, dance therapists, choreographers and feminist activists have gathered and plan a movement workshop for trauma recovery. They feel their fingertips again and they move their toes. They re-experience inhaling and exhaling in a safe place. To survive this moment, they move together, and they prepare themselves for a return to daily lives.

Ernst Mo works for courier service Delivery Dancer. Every day, she transports an endless stream of parcels, following algorithmically generated routes through a labyrinthine Seoul. After she runs into an alternative version of herself, her reality slowly starts to crack – with all the attendant consequences. In her own unique style, artist Ayoung Kim creates a fascinating and pretty disturbing world.