Seesaw Pictures

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow.

A documentary that scientifically analyses and tracks down the route of the Sewol Ferry that sank on the 16th of April in 2014 using its AIS to discover the cause of the unconfirmed sinking.

Let's look back at the 18th presidential vote. The 13,500 ballot boxes were taken to 251 ballot count locations and were sorted by 1,300 automatic ballot openers. The chairman announced the sorted data and soon it was announced to the public. But something strange happened. The 251 ballot count locations found 'a number' that have the same pattern. Scientists, mathematicians, statistician and hackers from all over the country start looking into the secret of 'this number'. The result is tremendously shocking...

Hyesun is a young North Korean refugee who has just arrived in fast-paced, hyper-modern South Korea. As she struggles to adapt to her new life, Hyesun must confront the emotional toll of leaving her past behind while trying to carve out a place for herself in a society permeated by high performance and dire expectations.

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

A dying merman asks a friend to give his remains to his daughter, hiding amongst the humans. Tasked with this dangerous journey, the merman secretly heads to the land of humans. He is chased by a new civil servant recruit fueled by curiosity and hatred.

Devi's life was upended following her arrest during Nepal's civil war accused of rebellion. Tortured and raped while in custody, she faced depression and isolation. Despite hardship, Devi joined rebel forces and became a prominent member of Parliament.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

A sequel to "Porosity Valley, Portable Holes" (2017), this piece expands upon the previous work through a fictionalized depiction of the migration of the migrant/mineral/data cluster known as Petra Genetrix. Juxtaposing refugee migration with digital migration, both of which characterize migration in the 21st century, the work creates a speculative space-time by interrogating the “ways of existence” and the “ways of representation” of the Yemeni refugees who recently arrived in South Korea. Reflected here is the state of affairs in which refugees are treated as a kind of malware or virus that threaten the immune system of the nation state.

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

Woman’s body bleeds regardless of her will. Through untold ages, this bleeding has been the symbol of secret, mystery, fervor and disavowal. The process of bleeding which has been taken care of with any absorbent materials, however, has undergone changes through critical moments of human history. NPR, the public channel in USA declared the year 2015 as ‘The Year of the Period,’ and ‘Free Bleeding Movement’ arose also in Korea. Numerous startup companies launched products for “New Bleeding.” Over a million viewers are visiting pages of sanitary-products-reviewing youtuber, and politicians start to talk about the blood. The walls of information collapse, and women choose their own way of “how to bleed.”

At the hospice, the average remaining time for patients is 21 days. These patients prepare for their deaths. Park Soo-Myeong is 40 something year old man who is also a husband and father. Kim Jung-Ja is a mother of two sons. Park Jin-Woo was a math teacher. Shin Chang-Yeol lived a lonely life.

An international project that spans across Korea, China, and Japan, Lash challenges viewers to think fundamentally about the human existence and humanity. The three chapters titled “Messenger,” “Message,” and “Messiah” feature workers of a Chinese sex doll factory, a politician dreaming of innovating the Japanese political system with AI robots, and a middle-aged Japanese man living with a sex doll.

Within the quiet confines of a small courtroom—the first women’s Islamic-law court in Mumbai—Judge Khatoon and her team guide families and empower women to speak out against violence.

After the wave of #MeToo movement stories from various circles, did sexual violence survivors return to their normal lives? Finding the new 'normal' is now in the hands of those individuals. Even though the cases were closed, their memories always take them back to the past. Blighted by violence, their bodies stiffen up even with little touches. From getting out of bed, taking a shower to leaving the house, everyday is a battle with themselves. While many survivors feel they're body still remain in the past, dance therapists, choreographers and feminist activists have gathered and plan a movement workshop for trauma recovery. They feel their fingertips again and they move their toes. They re-experience inhaling and exhaling in a safe place. To survive this moment, they move together, and they prepare themselves for a return to daily lives.

Qinghua, a Nuosu ethnic teen, goes on a road trip with her two best friends, to look for a new skirt for her menarche ceremony.

13 years ago, I, Susanne, a German woman, and Jeong Rae a Korean man, fell in love at first sight and promised each other eternity. However, Jeong Rae who had to live as a foreigner in Germany, decided to return to his hometown in South Korea and open a chicken restaurant with his mother. I told him that I will start making a film or file for divorce. We both laughed, but we knew: this is serious. When we got married, we thought that love would overcome all the cultural differences between us, but the reality was not so easy. My parents, who consider Jeong Rae irresponsible for not having a proper job; my mother-in-law Sun Ja, who can't understand a single word I say; our daughter, Hannah, who just wants to have a "regular“ family; and me, feeling jealous of the chicken that Jeong Rae is so passionate about.

Sea pineapples degenerate their brains once they find a place to settle. Yeon-gyo walks through the canyons of the American Southwest under the blazing sun, relying only on the shadowy outline of the person in front of her. As that figure becomes clearer, she is suddenly transported to a hospital corridor in Seoul where she was tiptoeing for her mom’s life and death and the backstage of a theater in Seoul where her ex-lover Ji-yeon once performed. Torn between forgetting and remembering, Yeon-gyo encounters a familiar nurse from the hospital working at a remote canyon motel. Like the relentless sun in the canyon, Yeon-gyo wishes the moments in Seoul would stretch into an endless summer, free from the constant waiting. In search of the meaning behind Ji-yeon’s words about finding dinosaur footprints, Yeon-gyo walks through the canyon of loss and discovery, struggling with grief.