LaCima Producciones

The life of the bullfighter Andrés Roca Rey during a day of bullfighting, from the moment he dresses up to the moment he undresses.

Lina, a well-known TV host, appears at Pedro’s doorstep to confront him about a cruel message he posted about her online. What begins as a showdown soon turns into an awkward living arrangement that quietly reshapes them both.

A Wen, 38, a businessman and family man in Barcelona, is also the filmmaker's brother. Just like in the gangster movies they watched on VHS as kids, he becomes involved with the Chinese mafia in Spain.

In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.

A reimagining of the myth of Faust, in which a documentary director and her producer investigate a number of celebrities.

Directed by Lucía Alemany, the film will portray Alexia Putellas' childhood, the gender barriers she faced and her journey towards becoming a professional footballer.

Jana Montllor Blanes, daughter of the well-known artist Ovidi, has lost the only photograph she took of her father on a trip they made to Mallorca. Navigating through the Mediterranean among family images, objects, smells, songs, press clippings and television programs, Jana embarks on another journey through memory to try to find the memory of her father, a person known to the general public and yet distant to her.

Miquelina, Josep and, later, their son Pattet filmed their lives between 1942 and 1999 with no purpose other than creating memories for the future. Without realizing it, they captured a face of the 20th century through the everyday life of a family close to the powers of the State, as a counterpoint to the country’s reality and the postwar period. A camera passed from hand to hand, a dictatorship transforming into a democracy, and images filled with aspirations, contradictions, and dreams of change.