NVC Arts

The Paris Opera Ballet's 1988 revised version of Rudolf Nureyev's 1963 production of The Nutcracker.

Nutcracker Sweeties is Billy Strayhorn and Duke Ellington’s big band take on the Tchaikovsky classic—The Nutcracker as you've never seen or heard it before! It portrays Broadway and America in the 1940s: full of humor, irony, commentary, swing, and blues. The cast, dressed in an array of glamorous Jasper Conran costumes, includes pom-pom girls, drum majorettes, sailors, GIs and Candy Kane. David Bintley’s choreography is a catwalk of jazz styles. With its eye-catching clothes and flashing neon sets, Nutcracker Sweeties is imaginative, funny and visually irresistible.

Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.

The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single "day of madness" in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro's bride to be, under the nose of the Countess.

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

Documentary looking at the life and work of soul and pop diva Dusty Springfield.

A stunning portrait of a Hollywood legend.

This biography of Sviatoslav Richter, the great Russian pianist who dedicated his life to music and had little regard for fame in the West, shines a light on his formative years and places him against the setting of a chaotic USSR culture.

Oliver Walston investigates his mother Catherine's 20-year relationship with the writer Graham Greene, which gave rise to Greene's famous novel The End of the Affair, twice adapted as a feature film. The documentary follows the second film during its production, where screenwriter/director Neil Jordan and stars Ralph Fiennes and Julianne Moore offer their personal perspectives on the novel's continuing resonance.

Romance and fairy tale come alive in this astounding interpretation of a childhood classic, Sleeping Beauty. In the hands of the celebrated Kirov Ballet, featuring choreography by Marius Petipa, Sleeping Beauty is no less than magical, recounting the story of a scorned witch who, upon being snubbed by the king and queen when they don't invite her to their baby's christening, casts an evil spell. Featured dancers include Irina Kolpakova.

A behind-the-scenes look at the 1998 West Cork Chamber Music Festival

Spartacus, the story of a Roman slave's fight for freedom, is one the great epic adventure stories. Grigorovich's choreography fills the huge Bolshoi stage with dynamic scenes of tension and conflict.

This is a finely tuned opera with music by the Italian composer, Claudio Monteverdi, libretto by G. E. Busenello, and the fine voices of contralto Maria Ewing, baritone Dennis Bailey, and several other sub-leads is not to be missed and will be fully enjoyed. No lead tenor here and none needed. No soprano here as a lead and none needed. One of the joys of my watching and listening outside the opera hall. The story line is strong and the tale well carried out.

Shot over the course of a year, this intimate portrait of provocative composer John Adams presents scenes of the artist at work and at play against the backdrop of dramatic American landscapes that reflect the themes of his music. Though he has a number of credits to his name, Adams is best known for his unconventional opera "Nixon in China," which explores the former U.S. president's meeting with Mao Zedong in 1972.

Nina Ananiashvili dances the dual roles of Mlada and Cleopatra in this acclaimed production of composer Nikolai Rimsky-Korsakov's "Mlada," directed by Boris Pokrovsky and choreographed by Andrei Petrov. Voislava, the daughter of a scheming prince, is forced to present his rival's bride with a poisoned ring so Voislava can marry him instead -- and her father can take over his kingdom. Will she get her just desserts when the gods intervene?

Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.

Director Werner Herzog, one of the most highly acclaimed German film makers, joins forces with the great Italian conductor Riccardo Chailly to effect a masterful rendition of this rarely-performed opera involving spectacular scenes of alternating light and dark, pageantry and intimacy. Staged and recorded at Teatro Comunale di Bologna in Bologna, Italy.

TV documentary exploring the musical world of James Bond through interviews with key figures and discussion of work of David Arnold.

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.