Mélodrama

Paris, 1992. Julien, a science thesis student, learns of the death of Christophe, a young suburban hairdresser he had met a few months earlier on a gay phone line. He sets off on a journey to retrace their history and try to understand and forgive.

Agathe embarks on a journey to uncover the life of her grandmother, Solange, an artist and writer whose story intertwines with history, memory, and loss. Joined by filmmaker Louise, an old friend, they navigate family films, letters, and the past to connect generations. Through Agathe’s search, the documentary reveals buried emotions and traces a legacy across time.

While cycling through the streets of Marseille, Alfredo, a young Italian student, crashes his bike. Seeking help, he heeds a strange call from a porn cinema from another time.

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.

Daisy, a young soldier in the anti-terrorism brigade, patrols the city with her two team members. Then suddenly, an explosion stops her in her tracks. She is in shock. Around her, no trace of life. Until a strange child appears and proposes to take her to her missing colleagues.

This is the story of a lyrical singer and an Afghan refugee. With songs and introspection, hope and disappointment.

First grief of love, Billie is devastated. The jokes of her girlfriends, the advice of her teachers and the sweet words of her mother intertwine and resonate like old chatter. Nothing to do, Billie is inconsolable.

Karim is a young queer science fiction filmmaker. The grief of his break-up with Paul prevents him from writing the script for his film Nuit de Chine. On his mother's advice, he gives up science fiction to write a film about love. One afternoon at the café, he runs into the hero of his film, Fouad, and falls in love.