Hiruki Filmak

On October 4th, 2007 Arantza, the director of the film, was detained and taken to prison. She remembers a few things about those days: endlessly walking around the prison exercise yard, swimming competitions, Rasha's prison journey... After 918 nights locked up, Arantza is set free. From then onwards, she recorded her memories and doubts, which are heard throughout the documentary as a kind of fragmented memoir.

In an attempt to reclaim pasture for their cattle, the inhabitants of an ecovillage in Navarre decide to cut down a pine grove planted as part of a state-funded reforesting initiative. In this fierce and sensory work, the filmmakers capture an adversarial process which uses deforestation techniques to transform a territory.

A study on what the transition to old age means from a female perspective, taking as an example the director's two grandmothers, witnesses of the dictatorship, the transition and of contemporary Spain.

Uztarroz is a village in the Navarrese Pyrenees where, until the summer of 2022, 3 films had been shot without the authorship and decisions of its inhabitants. In this fourth film they collectively determine how to portray the village and self-represent themselves.

When Ione moves into the house of the deceased García siblings, she discovers that their rebel spirit still remains in the many objects they left behind. Antonio worked as a comic book artist for the Bruguera publishing house and Rosita was a pianist and opera singer. Both, together with their brother Juanito, transformed their home into a space dominated by fiction, to escape the dark reality imposed by the Franco dictatorship.

'Young & Beautiful' is the polyhedric portrait of a generation accused of not wanting to grow-up; a generation which has been cornered to accept a hopeless world and a country in crisis, in which it has been announced that the one way to survive is to abandon dreams.

Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.

Kukuaren Kanta quantifies the beauty of a tiny town in Navarre, which lives attentive to the rhythm of the seasons, on the sidelines of the urgency and waiting for the end of the world. The shooting of a community film serves as a pretext for the inhabitants of Lerga, the 'Cucos', to film themselves thinking about posterity. Songs to the Virgin of Ujué, rituals of faith, aerobic exercises in synchrony, work in the field and crafts or the preparation of a meal collaboratively are combined in the present but are projected towards the future, when the image will be footprint, memory of a life in common. Between resilience and invention, cinema builds senses of community and belonging.