MDEMC

Schoolkids living on the top of the paradise island wait for the rain to stop. A former advertising executive is closing a land deal for her new villa. An entrepreneur battles nature while building a resort in the jungle. A veterinarian works cleaning snakes from the gardens of the foreigners. An influencer, disillusioned with love, recovers from losing everything overnight. A father and son prepare to leave for good, not knowing where. A dancer adopts a new identity, distancing herself from everything she’s ever known. Divers venture into uncharted waters, risking their lives for the challenge of conquest. The tensions between life’s possibilities revolve around the question of what life one should be living, with every decision leading to a different version of oneself. And while the earthly paradise might be nothing more than an ideal of imagination, humanity’s relentless pursuit for happiness persists.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

The story of a new Ireland and its vibrant music scene, but also that of a postcolonial society wrestling with its heritage. A society where folk music carries both the oppression of the past and the dream of a bright future.

Dublin, June 2024: thousands of men seeking asylum in Ireland are homeless. Olivia and her group of volunteers are trying to find safe locations where the men can sleep each night, but the government is actively enforcing its new policy against homeless encampments, and the far-right are lurking.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

We follow a maternity group for a year. Parents and babies who are put together in groups of the health station and who meet at each other's home and eat lunch. Some of them have big plans. They will buy and sell property. Some are concerned about doing things right. Can babies eat cucumbers? What about cheese?

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

It begins at the margins of power: a few teenagers protest outside parliament, cardboard signs in hand and an unyielding determination in their eyes. From there, Helena Molin’s long-term portrait unfolds—of a generation forced early on to confront the ruthlessness of politics. Their fight for the climate and for justice runs parallel to a life that should be about friendship, play, and future dreams, but is repeatedly interrupted by the failures of the adult world. The result is an intimate and powerful depiction of what happens when moral responsibility is placed in the hands of those still searching for their place in the world.

Jakob is a successful life coach, providing what people want: simple answers in complicated times. But tasked with inspiring the unemployed, Jakob can’t get things right. Is the right attitude the answer to everything?

Revisiting a teenage crush on a female teacher, Angelica Ruffier embarks on a delicate journey of memory and desire. A finely woven, reflective essay on past longings and present selves infused with the subtle glamour of French cinema.

An office gets furnished. Shelves, chairs and a projector. Then it's filled with people who practice pitching sales at each other over the phone.

Two Swedish directors set off for Greece to find out how the local residents feel about the media images of the crisis.