Štúdio hraných filmov Bratislava

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

A dramatic story about two friends - fisherman Richardus and municipal executioner Emil Targo takes place at the river Danube, in places that used to be targets of Ottoman raids. But their attraction to the same woman and Emil’s betrayal change their indissoluble friendship to an equally strong hatred. And as it usually goes - after twenty years by a trick of fate Richardus’ daughter Agajka becomes the wife ofthe sun of his sworn enemy.

A film about a little boy's desire to befriend an old abandoned dog.

This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.

A metaphorical story about the conflict of human reason and ideals with the dehumanizing mechanism of social institutions. A satire criticizing the negative relations between people, condemning the evils of human characters and the resulting qualities - pride, envy, malicious gloating, hatred and mammonism.

A fairy-tale about the power of love. The old king Pravoslav feels it is time to entrust the rule over his kingdom to one of his three daughters - the one that loves him the most. The youngest, Maruška, fails her father's expectations about proving how deep her love him is. He misunderstands her and she is made to leave the castle. She faces many dangers on the way to her loved one, the Salt Prince.

Two criminal investigators try to reconstruct a crime that happened in broad daylight, almost in front of the public, during a nighttime investigation. But the author does not only follow the criminal storyline. The witnesses the investigators call in each represent a different variant of cowardice or alibi in their own way.

As unbelievable as it sounds, a stint in prison can really fix things. The old seasoned pickpocket will serve many years before he is released, but he comes out a changed man. He even dares to refuse the lures and threats of an all-powerful criminal gang to cooperate with him.

A man may or may not have betrayed a resistance fighter during World War II. He has supposedly been shot down by the Nazis and wanders into town. Mourning the death of an unseen comrade, he is taken in by the family of the dead rebel. He engages in a superfluous affair and witnesses the lesbian relationship between the man's sister and a female servant. When passions subside, the family has doubts about the reliability of the man's story.

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.

A teenage boy has problems not only with his own parents, who have no interest in marital fidelity, but also with his still unsettled love affair with both the petite girl next door and the provocative model. He gradually discovers that the adult world is ruled by pretense, and he loses control of his violently disapproving reactions.

During the Slovak National Uprising, even ordinary people were determined to perform heroic deeds, even though they knew they were exposing themselves to great danger. The heroine of this film, a simple country woman, has a hard time paying for her bravery: she is sentenced to death, postponed for now so that she can nurse her recently born baby. She is even offered salvation if she betrays, but the presence of a member of the Soviet army infuses her with determination and hope. Early Spring belongs to the usual schematic, lifeless staged views of the subject that the communist regime has elevated to the level of sacred matter.

As a car full of an assortment of characters rolls down an embankment and bursts into flames, the old driver says "See You in Hell, Friends." The relations between the characters are shown in flashbacks. The pretty Rita and her fiancee Petras meet the old colonel, and come to live in his farmhouse. Rita marries the colonel as well as her fiancee, and has a daughter Christine. The colonel's supposed father shows up, and also makes amorous advances on Rita. They all live blissfully together until two holy women with axes arrive. The women start chopping down trees to build an ark. Rita starts having nightmares and Christine is crucified.

A woman prisoner is harshly incarcerated and suddenly released.