Over the course of 48 hours, Daye travels across Egypt's governorates to fulfill his dream. He is accompanied by his captivating voice, his broken family, and his music teacher. He journeys without money, a car, or any means of communication, and most importantly, he is unsure of his ability to reach his goal.

Habib, a hairdresser from the late 1960s who works in his own hair salon in his apartment, is about to break with his usual routine by trying to make his wife happy. Habib usually suffers a lot, but he insists on staying alive.

A retired singer from northern Sudan, Mona, burdened by guilt for covering up a man's death, hires his southern widow, Julia, as her maid. Unable to confess her role in the tragedy, she hopes to move forward, but the country's growing unrest threatens to reveal her secret.

The events revolve around the life of a woman who was completely changed by war, until she was forced to meet a man looking for fun. During their meeting, the duo discovers their need for emotional and human communication, before they wake up again to the dark reality of the city.

The film's events revolve around a group of people who find themselves passengers on a mysterious bus driven by Satan, and each of these characters represents one of the seven deadly sins, making the film a symbolic reflection of the internal conflicts that each of us experiences.

After the death of their father, Galal, the Abu El Fadl family's peaceful life collapses. The eldest son, Tarek, finds himself responsible for everything, while Hegazy returns from Cairo to discover that dealing with his patients is much easier than dealing with his own family. Matters become further complicated with the appearance of the mysterious man, Samir Italia, who demands a large sum of money from the family. Between the father's debts and suspicious artifacts, the brothers' attempts at reconciliation turn into a series of disasters that only make matters worse.

Hayam, an unmarried twenty-year-old girl, passes away, and her brothers, Zaher and Murad, discover love bites on her neck and chest just before the body washing, which hinders the completion of the washing for fear of scandal.

Its events revolve in a romantic context around a university professor whose life is invaded by a student, and events develop until he finds himself involved in her relationship with her lover, and then he falls in love with her as well.

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.

The film's events take place in the city of Tanta, specifically in a women's hairdresser's shop, and through a murder or something similar, the heroes' relationships with each other are revealed.

Retired couple Magdy and Sama live a quiet life in Maadi until their refrigerator suddenly breaks down, completely changing their lives. What initially seemed like a simple repair turns into an absurd journey that lasts for months with a mysterious maintenance company. With each passing day and the refrigerator out of service, chaos begins to reveal deeper cracks in their daily routine, in their relationship, and even in the meaning of their existence itself. The film blends dark comedy and contemplation, transforming a fleeting household malfunction into a mirror that reveals broader imbalances, both personal and societal.

A couple's dreams of parenthood are shattered by a mystical ritual, forcing their daughter to embrace her supernatural destiny amidst love, betrayal and a cursed fate.

Hind is a young karate athlete with a hearing disability. One day, after she is subjected to abusive behaviour at the training centre, her world becomes distorted. Hind must find a way to reclaim her power.

Khadiga is a young 18-year-old mother living alone with her baby after her husband left for work in a remote city. One day, she makes her way through the hustle of Cairo streets to do some visits where she feels uncomfortable with the surroundings.