North of Now

Reformed ex-convict Walt Manigan returns home to rebuild his family with the love of his life, Ketta. His path leads him to a boxing gym inside a D.C. youth recreation center about to be closed. There, he works under the wise coach Slim to mentor a group of boys to train for the junior national boxing tournament, all leading to a showdown between best friends Quincey and Peanut as they battle for a spot on the U.S. Junior Olympic Team.

"ASCO: Without Permission" is a genre-defying film that profiles the extraordinary, Los Angeles based, Chicano art group of the 70's-80's, ASCO, who merged activism and art as they challenged representation in the art world, Hollywood and the news media. Unrecognized in their time, they are now being considered amongst the most important artists of the 20th century. Utilizing a wholly original approach to filmmaking where nonfiction and fiction are interconnected through collaborative film works made with the next generation of Latinx artists, "Without Permission" reimagines what is possible today in cinema and art while celebrating an iconoclastic group that was far ahead of its time.

Andrew Renzi’s heartfelt and hard-hitting documentary sheds light on the lives of three of the estimated thousands of immigrants who volunteer for service in the American military, yet find themselves deported from the US once their tours of duty are over.

Recognized for his distinctive wolf costume and boisterous social media antics, Xaviar Babudar aka ChiefsAholic rose to fame as one of Kansas City's most fervent fans. However, a secret life came to light when he was arrested in Bixby, Oklahoma, unraveling a series of unsolved bank robberies committed across the Midwest.

An intimate look at craft and the pursuit of creation.

Short film released as companion to artist Don Toliver's fourth studio album HARDSTONE PSYCHO.

The Shuffle follows a $43 billion-a-year con that’s proliferated in the U.S. through the brokering and trafficking of vulnerable people in recovery by profiting off of their insurance. The film is said to go to the heart of why America has the largest drug epidemic in the Western world—the profit is in the treatment, not the cure.