A solitary figure walks a railroad bridge. A spectator watches from overhead; he corners the figure to hand him a card saying, 'Don't give up hope.' The figure retaliates with a video camera, filming the spectator. In the distance, they see a woman and follow her into what seems to be, from the outside, a small building, but once inside they're in a labyrinth that takes them to the lair of the Mole King.

Folks are busy at the production offices of Mort Downey Jr.'s talk show. A warehouse worker is preparing manifests for shipping. He needs the sign off of the producer, a voluble woman who's talking non-stop on the phone to someone named Harry. She signs the manifest without looking up as she talks about sexual surrogates, a woman crushed to death by her fat lover, and a fist fight on Geraldo Rivera's show. "Thank goodness he's been taking boxing lessons," she says. She's interrupted by the arrival of a uniformed woman with a nose ring. The woman opens a paper bag she's carrying and hands the producer what's inside. The horror is only beginning...

A young man with schizophrenia living with his parents out in the countryside of Texas is a cold, emotionless murderer. He will kill any and all who cross his path or trespass. One day, the young man sinks to a new low as he goes too far, killing one of his best friends. The film follows him as he delves deeper into the rabbit hole that is his own mind, trying to figure himself out, struggling with his morally upright conscience who attempts to bring the young man's actions to a stop.