Bomba Cine

Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.

A romantic weekend getaway turns into a nightmare for a couple when a trivial argument unleashes a spiral of violence fueled by jealousy and unbridled passions.

A young man arrives from Europe and spends his days with his sister in an apartment in the Once neighbourhood. While he gets used to his new life, he secretly dreams about the possibility that the cashier from the Chinese supermarket has some kind of interest in him.

A veil of sadness lies over the oppressively hot summer days. Cleo dives into daydreams with her cousins, the girls share secret signs and rituals. Flowing gently, in impressionistic images, the empty space that the death of Cleo’s sister has left in the family is poetically encircled.

A father took photos during the Chilean dictatorship. His daughter plays with him in the darkroom, developing other images. Images to resist and invent other futures.

61. La Verdad Interior reveals the creative process behind TELEMUNDO [screened in the New Visions section], a collaborative film directed by James Benning and starring himself and Sofía Brito. It is a journey, an interview. The connection between a film director with a great carrier and a young actress who decides to film the creative process that thrives between the two. A film-essay in which these two beings find ways of overcoming the language barriers.

Like a playlist, there are songs, there are questions, there is an anniversary and a boy who misses another. There are many more things that appear in a linear way but that, in practice, take place all at once-all the time and shape the idea of something greater.

Edu, is a young Brazilian Drag Queen in Buenos Aires' underground nightlife. He dreams of a grander life: Europe, romance, and transitioning into the woman he sometimes sees in the mirror. A marriage of convenience with a Dutch man offers him hope, but in the Netherlands his dreams crumble. Returning to Buenos Aires he finds his old life unrecognizable. Struggling with identity and love, Edu questions his place in drag and whether the roles he’s played reflect who he truly is.