Les Films Pelléas

An unassuming mechanic is reminded of his time in an Iranian prison when he encounters a man he suspects to be his sadistic jailhouse captor.

A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

A man and a woman are brought together by chance for several months. He is younger than she is, married, Russian, officially a diplomat stationed in Paris. She is a beautiful teacher and researcher, with her feet firmly on the ground. The film follows the evolution of their love, from the beginning to end.

Benoit turns 13 and develops an intense crush on his godmother, Marion. As they lie on beaches in the summer, she humors him by talking about the mysteries of women.

Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.

One evening, a married young singer Zoha meets the French lawyer Mathieu in a night club in Beirut. Mathieu will become suspected of spying, while Zoha is trying to flee from her husband. Despite these problems, the two will witness a love story for few days mixed with violence and fear.

Jilted on his wedding day, Laurent, a stage actor playing the role of the famous seducer Don Juan, cannot help but see his ex-fiancée in every women he meets. In an attempt to mend his broken heart and ego, he tries to seduce them all but none are receptive to his elaborate (and musical) advances. Meanwhile, at the theater, the leading lady quits and the production brings in Laurent’s ex-fiancée as the replacement.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes galantes to the visual artist Clément Cogitore. Based on the experience of his short film Les Indes galantes, the artist updates Jean-Philippe Rameau's baroque masterpiece (1735) by bringing together lyric song and urban dance. The choreography is entrusted to Bintou Dembélé who supervises dancers from krump, popping, voguing or even experimental hip hop. From rehearsals to the Premiere, Philippe Béziat films the meeting of urban dancers with the lyric institution and invites the spectator to share a human and artistic experience.

After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.

A girl is approached by a strange boy outside her high school. He asks her to follow him to hear stories where gods fall in love with human beings.

Lucas is a 17-year-old gay teenager coping with the sudden and unexpected death of his father in an accident that may or may not have been suicide. He views his life as a wild animal in need of taming. Between a brother settled in Paris and a mother with whom he now lives alone, Lucas will have to fight to rediscover hope and love.

Two policewomen from Internal Affairs arrive in a provincial precinct to investigate the death of an Algerian woman who was an informer. One punches, the other eyes, tip top.

A young woman struggling to stay on top of everything in her life meets a married publisher and begins an affair with him.

Jafar Panahi sets out to find a Kurdish young woman with a golden voice that has been forbidden to sing by her family.

An affluent, middle-aged couple's uneventful lives are forever changed when they move into an isolated house in the country and befriend an odd, younger couple.

During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.

Mona lives with her adult son, Joël, who is "slow," as they say. He works in a specialized facility and is passionately in love with his coworker, Océane, who is also disabled. While Mona knows nothing of their relationship, she eventually learns that Océane is pregnant, and the symbiotic bond between mother and son falters.

It is April 1974 and Julie Dujonc-Renens, young feminist journalist and the cunning Joseph-Marie Cauvin, leading reporter for the Swiss radio, have been sent to Portugal to investigate Switzerland’s aid to poor countries. Sparks fly during the bus trip with Bob, sound engineer approaching retirement. The projects financed by Switzerland prove to be calamitous and the workers’ revolution that suddenly breaks out doesn’t help, obliging our heroes to disregard first the radio’s management, and then their own codes of conduct.

A beautiful young gold-digger mistakes a lowly hotel clerk as a rich and therefore worthwhile catch.