Real Ficção

In 'Os Fotocines', an intimate portrait of the war is built with those who lived it. This documentary feature film aims to investigate who were those, that in the Portuguese colonial war, lived with the simultaneous responsibility of fighting, defending their own lives and also, of permanently recording that same collective mission, through cameras and shooting, as well as screening.

Film adaptation of "The letter from the hunchback to the locksmith" by Fernando Pessoa's heteronym Maria José.

A renowned symbol of Portuguese interventionist theatre, Cornucópia emerged from the darkness of fascism to fight dictatorship on stage. Among the classics, a project is born and dies, but one face remains emblematic: Luís Miguel Cintra, who shared his art with the constant complicity of set designer Cristina Reis. Together, guided by images, they bear witness, telling this story.

With this trip, an intergenerational sharing begins: with Portugal present as a backdrop, the director and a little daughter wander as if in question, trying to understand the country of today.

Fernando Lemo's world is fiercely stripped of any external logic, as Jorge de Sena once said. His artistic gesture blends with his own existence, where the poetic principle comes first. And with the light that insists to come through the half-closed door, the fear of life is vanquished in the battle fought with death. Thus, each word is born within another word and each image within another image. Out of how many knives is love made, the poet wonders?

Departing from extracts written by Fernando Pessoa, the characters walk through the city of Lisbon, having the streets and houses where the Poet lived as the background.

A zoetrope is a pre-film animation device. It consists of a cylinder with slits cut vertically in the sides. On the inner surface of the cylinder is a band with images from a set of sequenced pictures. By turning it, the user sees a rapid succession of images, producing the illusion of motion.

Built in the New State to control the overseas students, the House of the Students of the Empire, situated in Lisbon with delegations in Coimbra and Porto, was fundamental in the fight for independence of the Portuguese colonies. Future leaders of the Liberation Movement, like Agostinho Neto and Amílcar Cabral, passed through this meeting point. The documentary The House restores the memories of the testimonies of the survivors of the House, fictionalizing in parallel excerpts of Pepetela´s “The Generations of Utopia”.

40 years later, Rui Simões returns to São Pedro da Cova to exhibit the photographs he took during the directing of São Pedro da Cova's films. From this reencounter a new message to the centralised powers: now it's toxic waste that is threatening people's health. 40 years later. From coal to waste, the fight goes on.

Júlia is a 16 year old teenager. A sudden emergency hospital commitment helps her realize, although reluctent, that she suffers from a serious desease: nervous anorexy. Her recovery is slow, but she can count on the support from both her friend, parents and the psychologist.

Documentary by Rui Simões, which celebrates the 20th anniversary of Expo 98, one of the biggest exhibitions that Portugal hosted

Peruvian sculptor Silvia Westphalen reencounters friends, places and pieces of work in the company of the director Rui Simões

Fiction is never very far from reality. A young man, of Portuguese heritage, decides to do a PhD based on the documentary The Good People of Portugal, a work from 1980, also directed by Rui Simões. This opens the door to a parallel between the reality of the film we see and that of PREC, the moment of the studied documentary and the contemporary world, with the young Michel in between.

This documentary follows a group of habitants from Cova da Moura neighborhood into a journey to Cape Verde, to celebrate St. John festivities. Recovering the rituals and rhythms of these festivities, the cape verdean people living in that neighborhood near Lisbon, try to recover their roots and transmit it to their children.

Documentary about "Madrugada" show: On the eve of 25th of April, 1999, took place at Praça do Comércio, in Lisbon, the performance of "Madrugada", a creation of the Theatre O Bando, commissioned by the Lisbon city council to commemorate the 25th Anniversary of the "April Revolution".

100,000 Portuguese young men left for war in the countrie's former colonies. In the same period, 100,000 fled the country so as to not be part of that war. What was the former's role in shaping Portugal?

This documentary shows a peculiar vision about theatre in general and O Bando in particular, on the bases of João Brites' directing the showcase of “ENSAIO SOBRE A CEGUEIRA” (essay on blindness), written by José Saramago.

50 years after its beginning, it's still a delicate and hermetic subject today, based on an exclusively male speech, as if veterans were war's only owners and victims. When a country is at war though, is there anybody left out? Warriors is a generation's war movie, told by those who were left behind to wait, those who chose to be there and those who ran to rescue the soldiers from the battle's front lines. A female insight on war.

Documentary about the old people living in the highest floors of old buildings with no lifts, in Lisbon.

Founded in 1974, O Bando has known how to grow artistically. From an initial project, almost exclusively dedicated to a younger public, it developed the idea of a community theatre where different generation can meet. O Bando tries to find the anthropologic roots of our imaginary and tries to create poetic visual, at a risk accepted by the experimental contemporary art.