Real Ficção

Documentary about the life of the lyric singer Natália de Andrade.

A renowned symbol of Portuguese interventionist theatre, Cornucópia emerged from the darkness of fascism to fight dictatorship on stage. Among the classics, a project is born and dies, but one face remains emblematic: Luís Miguel Cintra, who shared his art with the constant complicity of set designer Cristina Reis. Together, guided by images, they bear witness, telling this story.

This documentary follows a group of habitants from Cova da Moura neighborhood into a journey to Cape Verde, to celebrate St. John festivities. Recovering the rituals and rhythms of these festivities, the cape verdean people living in that neighborhood near Lisbon, try to recover their roots and transmit it to their children.

In Mozambique, Izidine, a young police inspector, is called to investigate the murder of Vasto Excelêncio, the director of a nursing home built within the walls of an old colonial slave fortress. He is shocked when all the elderly residents, as well as the head nurse, Marta, confess to the murder. Each one has motive, given Excelêncio’s abusive behavior. With only a week to solve the case, the detective slowly unravels truths about the murder, Mozambique's colonial past, and himself.

Benjamin is trying to raise money through informal exchanges so that he can organize his son’s overdue birthday. Filimone is visiting his family between war missions, trying to be present at the growth of his three daughters. Eulália is a mother of six and gives birth to a new premature baby. Some days after, she has to come back to her job in a landfill.

António Escudeiro was born, grew up and worked in Angola until the day when he was forced to leave. He swore he would return. But his return home only took place thirty-two years later. "Goodbye, See You Tomorrow" is the documentary of that return, in which there is a crossing and confronting of two visual universes: the director's memories and today's Angola.

40 years later, Rui Simões returns to São Pedro da Cova to exhibit the photographs he took during the directing of São Pedro da Cova's films. From this reencounter a new message to the centralised powers: now it's toxic waste that is threatening people's health. 40 years later. From coal to waste, the fight goes on.

Fernando Lemo's world is fiercely stripped of any external logic, as Jorge de Sena once said. His artistic gesture blends with his own existence, where the poetic principle comes first. And with the light that insists to come through the half-closed door, the fear of life is vanquished in the battle fought with death. Thus, each word is born within another word and each image within another image. Out of how many knives is love made, the poet wonders?

Departing from extracts written by Fernando Pessoa, the characters walk through the city of Lisbon, having the streets and houses where the Poet lived as the background.

How would you react if you couldn't see? In rehearsing the theatrical adaptation of "Blindness", by Nobel Prize winner José Saramago, the company "O Bando" made the experience. The actors lived 24 hours blindfolded in an abandoned hospital. How would you react if you could see again?

Can an artist be the protagonist of his life and interpret a film about himself? Is the artwork a redemption for our troubled times? with this question We set out in search of a project for a house and its thousand faces that accompany Carlos Nogueira. A demiurge with a diverse and vast work like the landscapes of Mozambique where he grew up. Multidisciplinary artist, where all his gestures enunciate a sublime trait, whose craft and purpose in his life reveals itself as a work of art.

This documentary shows a peculiar vision about theatre in general and O Bando in particular, on the bases of João Brites' directing the showcase of “ENSAIO SOBRE A CEGUEIRA” (essay on blindness), written by José Saramago.

A documentary filmed during the shooting of Os Maias - (Alguns) episódios da vida romântica, the cinematic adaptation directed by João Botelho of the homonymous novel by Eça de Queirós. Following the cast in and out of scenes of the period film In-Between Scenes takes on its role as an extension to the history of the Maias family, exposing the lies of cinema, moving in between reality and fiction.

50 years after its beginning, it's still a delicate and hermetic subject today, based on an exclusively male speech, as if veterans were war's only owners and victims. When a country is at war though, is there anybody left out? Warriors is a generation's war movie, told by those who were left behind to wait, those who chose to be there and those who ran to rescue the soldiers from the battle's front lines. A female insight on war.

The story of a homeless man and his journey.

Frei Gualter is sent by S. Francisco de Assis to Guimarães around 1213. The devotion to this franciscan friar started to rise and in 1577 the brotherhood of S. Gualter is created. The Gualterianas are celebrated since 1906, the new way of celebration in honor of their patron.

Live concert of the Irmãos Catita and friends at the Ritz Club, in 1996, Very Sentimental Show. Includes bonus concerts: Cinearte 1993, and Queima das fitas Coimbra 1994. The roots of the Catitas' spirit are buried deep down the origin of time. Spread like Polibas around the World, starting from its own center of balance, elsewhere in the elevator of Grand Hotel Curia, raised by the "madrastas", a kind of so-called religious female-educator, spread amoung the Christian World, and whose main educational tool is the stick, the Catita brothers became early "stars" within the various orphanage they frequented, from French Polynésie to San Marino's Republic, through Casa Pia and the various holiday camps of the former New State, today refered to as Old State.

With this trip, an intergenerational sharing begins: with Portugal present as a backdrop, the director and a little daughter wander as if in question, trying to understand the country of today.

Peruvian sculptor Silvia Westphalen reencounters friends, places and pieces of work in the company of the director Rui Simões