In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.

Die Drei von der Tankstelle, meaning The Three from the Gas Station, was advertised as a German operetta when release and with it’s star studded cast would become the forerunner of Musical films. Even today the soundtrack of the comic harmonists is popular in Germany.

In the first light of day, one can see a mountain farm close to the forest. Nothing stirs far and wide. Suddenly, a figure comes out of the forest, running quickly to the farm. There's a quick grab and the hunting rifle is hidden in the gutter. There's a jump to the window sill: Obermeier Martl creeps like a cat into his room. No one's seen him. At the same time, the doorbell rings at Doctor Rauch's place. The hunter's mate Hias is standing outside. "Doctor, you have to bandage me: I've been shot!" By whom, he doesn't know.

A few days before the planned wedding of the chief inheritor von Halleborg, he experiences a terrible blow: his beloved bride Julia has a riding accident and dies of her injuries. Von Halleborg becomes a broken man and chooses not to waste another moment thinking of love -- his heart belongs to Julia ... forever. In doing so, von Halleborg runs the risk of losing his entire estate, for the conditions of inheritance make all to clear that if he does not marry by his 45th birthday, the estate is to be turned over to someone else. Von Halleborg had already made peace with this fact until he discovers that the future lord of the manor will be his nephew Oskar, a selfish and ruthless scoundrel, concerned only with money.

Count Egge, a “special person” of noble birth, is rather conceited and has given his kids the old heave-ho, because they chose “unsuitable partners: Countess Litty picked the penniless painter Forbeck and Master Tassilo the rather common Anna. During a trip with his peasant lover, the second son of the Count, Willy, has a fatal accident. Kitty followers her painter-bum to Italy. One day, during a dramatic hunting party at the Eagle’s Nest, Count Egge goes blind. These strokes of bad luck as of late turn the self-centered noble into an accessible person and his heart softens. After coming to terms with his kids, he finds inner peace in the bosom of his ancestral seat, shrouded in secrets: Castle Hubertus.

The feisty boss of a chain of cafes wants to push the youngest of her daughters off on a husband, who would be well-suited to take over the business one day. And although the widow Bohler causes a lot of confusion in her struggle to find happiness for her daughter, everything ends up working out well in the end.

A young reindeer named Niko dreams about flying like his father, whom he has never met. Despite constant teasing from others, he sneaks out of his home valley to take flying lessons from Julius, a flying squirrel.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

A woman staying at a health spa (Lillian Harvey, goes to the theater every night to see "Quick" a comic performer, who wears clown make-up. She meets him off stage, without make-up and doesn't recognize him. He courts her, hoping she'll like him for himself but she maintains her crush on "Quick."

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

Fresh out of prison a small-time crook finds his girlfriend's dropped him, which sends him into a murderous rage.

Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version).

Georgia Gale was a great poet, but then she stopped writing and started drinking heavily. Now, as a desperate last resort, she has traveled to Switzerland, where she hopes to find a cure.

Detective Hans Braumüller is trying to untange the conspiracy behind a bank robbery.

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.

In 1812, during the French period, large parts of Germany are occupied by the troops of Napoleon. Several paramilitary Freikorps units battle the French forces, among them the Black Brunswickers led by the 'Black Duke' Frederick William of Brunswick-Wolfenbüttel. After the War of the Fifth Coalition, the Black Hussars are pursued by Napoleon throughout the country, but frequently take refuge with the noble-minded German people.