The Space

Positioned between opera and theatre, this powerfully accessible interpretation of Handel’s seminal work explores the drama and struggle of faith, showing a bereaved community whose grief at the loss of their leader is transformed into hope through a narrative of resurrection. Inspired by early performances of the work, which were staged in theatres and concert halls rather than churches, including its first performance at Bristol Old Vic in 1782, it is a rare treat for connoisseurs and enthusiasts alike.

In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 70th birthday. Over the river in Chelsea, their father and greatest actor of his generation, Melchior Hazard, turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all…

The Barry Hines Novel ‘A Kestrel for a Knave’ and Ken Loach’s famous film adaptation are both modern classics. Celebrating the 50th anniversary of Kes, Barnsley born choreographer Jonathan Watkins reimagines the work weaving dance, projections, puppetry and music to create a family friendly Kes to rival War Horse, the Guardian called it ‘genuinely too powerful for words’.

David Ireland's award-winning dark comedy about sectarian hatred in Northern Ireland. Eric Miller, a Belfast loyalist, mistakes his five-week-old granddaughter for Gerry Adams.

The extraordinary story of Queen Victoria, brought to life by Northern Ballet and choreographed by Cathy Marston. Victoria’s diaries revealed intimate details of a life so fascinating that her daughter Princess Beatrice tried to rewrite history, removing any detail that might embarrass the royal family. The ballet is the story of Victoria’s amazing life, seen through the eyes of her youngest child and lifelong companion Beatrice as she relives her memories of her mother as a secluded widow before discovering sides to her that she never knew.

Henry Irving is dead. Join Irving’s restless spirit as he tells the story of how he transformed himself from a stuttering, spindly country boy into the most formidable actor of the nineteenth century. It is a story of a man who petrified London with his Gothic portrayals of mad monarchs, guilt-stricken murderers and the devil himself. A story of a man who could never escape his monsters – even in death. A filmed version of the live one-man stage play by James Swanton.