Itala Film

A romance between two temperamental singing stars. Highlights include a lengthy selection from Faust, with Gigli making a most impressive Mephistopheles. The plot takes a melodramatic turn towards the climax, with the lives of the characters mirrored in their on-stage behavior. Director Carmine Gallone was something of an expert in the field of filmed opera, as witness his Tosca, Rigoletto and Il Trovatore.

A young girl, pursued by a band of conspirators, hides in a movie theatre where she watches the film Cabiria. She determines to seek the aid of that film's strongman, Maciste. When she locates him, he helps her overcome her enemies, but not without many thrilling and dangerous adventures.

The well off daughter of a tenor breaks up a romance with a helpful youth from a misunderstanding. But she continues to cover him with his gambling debts despite her delicate health.

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

The young opera singer Carla is in love with the talented young composer Michele, who wants to make it big with classical music and writes his first opera, "The Return of Odysseus," for Carla. But Carla is more successful than he is and gets a gig at La Scala in Milan. Through her connections, she manages to find a publisher for Michele's opera. But when Michele learns what the publisher really thinks of his work, he leaves and abandons Carla. A year later, Carla finds Michele again. He has since become a sought-after composer, but is embittered because he is only successful with pop songs. His new revue "Dream Music," a reworking of his opera, is about to premiere. Carla then arranges for Michele's original opera to premiere in Budapest with her in the lead role.

Maciste, for the first time, suddenly discovers to be in love. The object of his love is Ada, the daughter of Thompson, an enlightened industrialist persecuted by Bethel, a competitor without scruples. He first makes use of a small group of agitators in order to foment the workers, then he tries to affect his loved ones, kidnapping his daughter. But he hasn’t squared things up with Maciste. In Maciste innamorato private and politic life interlace and condition each other. Maciste, a new popular hero, acts in advance of his time and sees himself as a media idol: after punishing the instigators, the crowd will recognize him as a movie star and promptly forget their claims carrying him shoulder-high. A hero, though, doomed to an unhappy love.

A film based on Gabriele D'Annunzio's novel The Flame. Pina Menichelli plays a vamp who ruins a painter's life just for the fun of it.

Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.

Italian-language version of the Germany-made DER TEUFELSBRUDER (FRA DIAVOLO), with different supporting cast and some scenes. Based on the Auber opera, but with generally original music by Dr. Giuseppe Becce.

"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.

Wrongly accused of his wife's death, a marine officer is forced to resign and sees his life fall apart.

Miss Inge Becker is a telephone operator. She makes an appointment with her unknown opera singer West. Simultaneously, Rainer, the young director of the telephone distribution, makes an appointment with him unknown Miss Lotte Schröder. The location of the meeting and sign of recognition of the two pairs are the same. An exchange with consequences cannot be avoided, as the next day the director wants to speak with Inge, because she neglects her service.

Marina is a woman in her thirties who works organizing weddings. Not because she is an inveterate romantic just because, as she says, "when people are in love, they don't care about money". Unlike her customers, she enjoys a life without ties or commitments, until the moment when she falls in love with Carlos. The problem is not only he is about to get married, but also his fiancee is Marina's childhood friend and they have hired her as their Wedding Planner.

Directed by Febo Mari.

Tenor Enzo Curti, a widower with a young child, falls in love with a secretary from New York. Liselotte has experienced disappointment in her first love, Helmut, an ocean liner officer. She marries Enzo Curti, but later, when she meets Helmut again, she experiences emotional stress as love struggles with a sense of duty in her heart.

One of the most exciting crime thrillers of its era, Vincenzo Denizot’s Tigris depicts a cat-and-mouse game between a renowned detective, Roland (Alessandro Bernard), and the criminal gang led by the man called “Tigris” (Edoardo Davesnes, who also plays the roles of Leblanc and Il Commissario).