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NAG Film

CHEtagnières

Movies

Browse 7 movies from NAG Film

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The Ravens poster
Movie

The Ravens was the couple's first sand animation film and the prelude to a unique work.

The Ravens

Jan 1967

Sabbath poster
Movie

A dream-like version of the Sabbath in the Middle Ages: one night at full moon, the women leave home to meet with the devil in the woods. Several orgiastic ceremonies later, they all return home at cockcrow. All except for one, the youngest, who is under an evil spell.

Sabbath

Jan 1991

Fantasmatic poster
Movie

Surreal animation with sand and metal slivers by Ernest Ansorge, Gisèle Ansorge

Fantasmatic

Jan 1969

The Boy Who Stole the Moon poster
Movie

A young boy, displaying remarkable skill with a lasso, manages to catch and tie up the moon, dragging it forcefully to Earth. His prank unleashes absolute panic among the forest animals and baffles the inhabitants of a nearby village. The king publicly declares that a child has stolen the satellite, but the boy decides to hide his great prize inside a leather sack to keep it safe.

The Boy Who Stole the Moon

Jan 1988

The Legend of Devil's Bridge poster
Movie

The short film is a direct adaptation of the famous European folk legend of the "Devil's Bridge." It tells the story of a village or a group of monks who attempt to build a bridge over a chasm or a turbulent river, but everything they build during the day is mysteriously destroyed by the Devil at night.

The Legend of Devil's Bridge

Jun 1959

D'un jour à l'autre poster
Movie

A young "social investigator" meets a bohemian Englishman who decides to move in with her, disrupting her daily life and challenging her lifestyle and values.

D'un jour à l'autre

Jan 1974

Gisèle Ansorge at Work poster
Movie

A highly distinctive documentary, conceived as both a making-of and an intimate visual essay, the film dispenses with any fictional narrative to delve into the intimacy of the couple's studio in Etagnières. In it, Ernest "Nag" Ansorge takes the camera to film his wife, Gisèle, in detail during her creative process. The footage captures the patience, precision, and magic of her hands as she works directly on the light table positioned beneath the camera, meticulously detailing the technique of painting, spreading, and modifying the fine grains of quartz sand powder frame by frame.

Gisèle Ansorge at Work

Jan 1979