Diagnosed with ovarian cancer, a 29-year-old journalist who longs for true love ends up writing the biography for an entrepreneur's father, which leads her to embark on an existential journey.

Alus is a Mongolian electronic musician confused about what he wants in life. He also cannot bear to see his mother, who suffers from Alzheimer’s, living like a captive in his brother’s city apartment, so he decides to take her back to the grassland in search of the home she yearns for. As his mother’s condition worsens, Alus tries to stop her from getting lost by tying his mother to him with a rope. The rope is like an umbilical cord that reconnects him to his mother’s thoughts, his hometown, and his native culture…

With both parents working far away, ten-year-old Chuang is being raised by extended family in his home village, where thousands of years of rural tradition collide with the socio-economic changes of China in the early 1990s.

Dhunu, now in her late teens, still climbs trees, swims, and most importantly, dreams of continuing her childhood life as a guitarist in her rock band. However, life does not unfold as Dhunu wishes. As she faces the bitter and sour moments of life, she stands on the threshold of leaving her once-happy childhood behind.

In claymation, the Ontario Censor Board meets to consider an animated short, which begins simply enough, but soon scandalizes the Board with the sexual activities of its two characters: a man and woman meet on a street corner, go to a bedroom, and soon are swinging on a chandelier. A dog joins them somehow, although by now, we see only the Board and its shocked response. The film finished, they must determine their rating: out come darts and a dart board. What rating will the film receive? Will the morals of the people of Ontario be protected?