Marius, a successful but unhappy husband, and his brother Jovitas, a feckless failure scorned by his wife Nomeda, who just so happens to be Marius’s longtime mistress—plan to confess Nomeda’s pregnancy by Marius at Christmas dinner. Their scheme unravels when their father Kazimieras shocks everyone by announcing his own divorce after fifty years, fearing his wife Alma has been unfaithful.

Champion fighter Osvald is banned from competing after injuring a girl in a street fight. Stranded in his bleak Lithuanian hometown, he takes refuge in a run-down Taiwanese restaurant owned by his only friend, Ju-Long. Court-ordered therapy leads him to Skaistė, a woman who offers a glimpse of a life he's never known. But as Osvald clings to this fragile hope, his violent past resurfaces, forcing him to choose between redemption and self-destruction.

A corrupt politician tries to get some decency points by marrying his beloved daughter to a simple farm guy.

Watchmaker stumbles into a mysterious cinema and is enraptured by the sight of movie star Lisa sleeping on the screen. His life changes. A girl he meets in the cinema begins leading him through the strange world of cinematic dreams.

A young couple's love is tested by the weight of illness and their own limitations. When Marius, who lives in denial of his diabetes, suffers a life-threatening hypoglycemic episode, Ina embarks on a frantic search for glucose.

In Lithuania, two investigative journalists work segregated from others in an isolated office as if in a cabinet. This cabinet is the only location in the film. It seems that they are in the cabinet, like they are closed, separated from others, even from the other journalists. It’s a slow and minimalistic film. It’s not a film about one specific journalistic research; this film presents a monotonous and nervous atmosphere in this cabinet. The boundaries between truth and falsehood begin to overlap, journalists experience the betrayal of a colleague, the office becomes sweltering and unpleasant.

Legendary film actor Juozas Budraitis turns 85. Over his career, he has appeared in more than 120 films not only in Eastern and Central Europe but also in Switzerland and Italy. Film sets brought him close friendships and moments of joyful creativity. Yet today, many of his colleagues are gone, and the actor is increasingly visited by the regret of unfinished work. The Old Man’s Journey is shaped not by the structure of a traditional biographical film but by the fragmentary nature of memory. The roles he has embodied remain etched in his recollection no less vividly than the key events of his life, and so the film guides the viewer between Budraitis’s youthful memories and his most significant cinematic experiences, weaving them into a single, nostalgic stream of remembrance.

Four people have lived for many years in a small apartment. Their hearts remain young, but their minds, clouded by time and a sad, perpetually drunken fate, no longer function clearly and cannot think straight.