Lluís Escartín

Amanar Tamasheq parts from the exciting adventure of the director on a trip with the Tuaregs rebels in the desert of Mali, to convert the camera into the most powerful weapon. The terrible history of this people, always under threat, is built through their own words in a text that, from their own statements reworked, overlaps in the form of subtitles to images. These, far in the highest degree of language that normally tells the violent, they gain political power and radical rarely seen.

Between Africa and the catalonian Penedés stands the distance of a videocamera. A cut. What is what, where are we, where did the songs we sang while we worked go, where is the group, the colective, the community?