À Punt

Spain, April 15, 1939. With the Civil War concluded, and with the intention of celebrating his victory, General Franco attends a dinner with his generals at the Palace Hotel.

Constantinople, 1401. The emperor of Byzantium asks the famous knight Tirant lo Blanc to free the city from the siege of the Turks. After his victory, Tirant will have to face a more difficult task: to overcome the natural opposition of Carmesina, heiress to the Ottoman Empire, to surrender her most precious treasure.

One weekend, after years without seeing each other, several friends, over whom hangs the shadow of a murky episode of the past, meet in a house in the mountains. During the first night, a strange incident takes place that leaves them isolated.

Spain, 1982. Andrés Expósito, a young police inspector, accepts a posting in Denia, a small town on the Mediterranean coast, in the hope of leading a quieter life and that the natural environment will help improve the fragile health of his daughter; but once in his new post he becomes involved by chance in the investigation of the strange death of the inspector he has come to replace.

The disappearance of his wife leaves Fernando, a quiet geography teacher, completely devastated. Aimless, he assumes another man’s identity as a gardener on a Portuguese estate, where he forms an unexpected friendship with the owner, stepping into a new life that isn’t his own.

Adolescent Hector faces a major lifestyle change after moving into his aunt's flat in a blue-collar suburb of Madrid.

Isabel's life is turned upside down the day her daughter Madalen asks her to visit her sick ex-husband Ramón on a regular basis.

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

Each of the members of a group of hackers is willing to fight against system. Their messages and attacks are political, socially demmanding but also playful. Each of them have reasons to have moved to that virtual side, where they can be who they can't in real life. However, the sudden implication of authorities (pressed by goverment to be tougher against hackers)and of a wise and dangerous cracker will cause a turn in their crusade. Will they use the enemy's means or their ideological motivations imply a respect for law and human life?

Joaquin comes back to Granada in the eighties trying to find out about something happened when he was a child and the Spanish Civil War was going on. He helped an unknown man who survived after being executed. He finds the man, Galapago, who is now quite old, poor and with almost no memory. Joaquin takes care of him and finds hints that point to Galapago as Federico García Lorca.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

Some unemployed men look work as male stripper in a bar club, unaware the club is a cover for prostitution.

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.

A woman lives secluded in her house, surrounded by the silences left by her partner's absence. Through architecture, memory, and carefully measured dream sequences, a mystery unfolds, slowly burning away.

Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.

Sister Marina, a very unorthodox nun, is sent during the summer of 1994 to El Parral, a boarding school for boys threatened to be closed soon. Even though the kids welcome Marina with all kinds of pranks, they will, little by little, become something very close to the family they never had.

A walk through the work of Luis García Berlanga (1921-2010) that is neither a documentary nor a narrative movie, but a tribute to one of the greatest directors of Spanish cinema. Anything can happen: the performers are not themselves, but their characters; there are no interviews, but greetings; a series of entrances and exits. A joyful reunion, a celebration of life.