One weekend, after years without seeing each other, several friends, over whom hangs the shadow of a murky episode of the past, meet in a house in the mountains. During the first night, a strange incident takes place that leaves them isolated.

Spain, 1982. Andrés Expósito, a young police inspector, accepts a posting in Denia, a small town on the Mediterranean coast, in the hope of leading a quieter life and that the natural environment will help improve the fragile health of his daughter; but once in his new post he becomes involved by chance in the investigation of the strange death of the inspector he has come to replace.

Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.

This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.

How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.

Constantinople, 1401. The emperor of Byzantium asks the famous knight Tirant lo Blanc to free the city from the siege of the Turks. After his victory, Tirant will have to face a more difficult task: to overcome the natural opposition of Carmesina, heiress to the Ottoman Empire, to surrender her most precious treasure.

Since 1997, retired high school teacher Bruce Farrer had been giving his students a task: to write a letter to themselves about how they imagine their lives in twenty years. He keeps all those letters himself and, twenty years later, he sends these to them.

Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.

Each of the members of a group of hackers is willing to fight against system. Their messages and attacks are political, socially demmanding but also playful. Each of them have reasons to have moved to that virtual side, where they can be who they can't in real life. However, the sudden implication of authorities (pressed by goverment to be tougher against hackers)and of a wise and dangerous cracker will cause a turn in their crusade. Will they use the enemy's means or their ideological motivations imply a respect for law and human life?

Emma is 50 years old and twenty who acts corrections officer. Her life revolves around the jail where he works and her home. Without leaving his loneliness, her order and her almost obsessive routine, lives locked in a reality that has been built for she.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

Sara has fallen in love with Iván, a man who is invisible to Sara. Ivan does not reciprocate. Sara becomes obsessed with him instead of taking care of herself.

Isabel's life is turned upside down the day her daughter Madalen asks her to visit her sick ex-husband Ramón on a regular basis.

A walk through the work of Luis García Berlanga (1921-2010) that is neither a documentary nor a narrative movie, but a tribute to one of the greatest directors of Spanish cinema. Anything can happen: the performers are not themselves, but their characters; there are no interviews, but greetings; a series of entrances and exits. A joyful reunion, a celebration of life.