BANDAL Doc.

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

Every weekend, the gay male choir G-Voice rehearses in Seoul. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. Besides preparing for their big day, G-Voice are also politically active, singing for equality and against discrimination.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

A journey that encounters the dead of the Vietnam War and the Iran-Iraq War. As if in a dream, the film moves along various routes formed by scars and fractures, and mediates the realm between the living and the dead.

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

‘Udumbara’ is the name of a band created by Monk Hyegwang and his past colleagues working together in nightclubs in the 1970s and 1980s. Now in their 60s or 50s, the members’lives have been highly dramatic. This film narrates their past in their own voice, while following their current life. They have to work to support their own life, but their passion for music remains strong.