Gnomon Production

The central figure of the documentary is Robin Stria, an amateur filmmaker who is trying to create the first Roma sitcom in the Czech Republic. Its title - Miri Fajta - means My Family in Romani, and the Romani creator wants to tell a story about Romani using Romani actors. At the same time, it offers him the opportunity to think more deeply about his identity and show it at a time when the issue of self-awareness is also a problem of representation, because Roma creators are scarce.

Lucie, a contemporary music composer and performer, creates bizarre pieces using knitting patterns or water turbine schemes, which the public struggles to accept. She prioritises authenticity over popularity, avoiding emotional storytelling in her music. Despite facing resistance from performers and listeners, Lucie remains dedicated, sacrificing much for her art. Her composition “Accept” succeeds, leading her to study in the Netherlands and USA, where she gains acclaim but finds personal life unfulfilled. After losing someone close, Lucie is left adrift in sound, questioning her ability to compose without emotion. Director Jan Hubacek explores these themes in his debut documentary.

A human flock runs across the landscape of fields. Thirteen performers in a teardrop formation form a single organism, guided by collective intelligence or intuition. It flows across the landscape of geometric patterns over terrain waves, flows around copses, divides, regroupes, and reunites. It stops at the horizon, rests, and runs on. The contrast between lively movement and the immobile geometry of the landscape. A hunter enters this magical moment. He walks across the field, climbs into a hunting blind, and loads his shotgun. The unsuspecting flock continues its light-footed, aimless journey.

Jiří, a Czech physicist and a visionary handyman, has an idea on how to save the planet. But no one will listen to him. His daughter, Marta, a musician and mother of two, is annoyed at this. She takes her camera and goes "out into the world" with her dad. She wants to see if the world could work just as Jiri had envisioned it. Humor is brought to the film as they showcase their combined and inventive strategies on how they should present their idea and to whom.

Director Tereza Tara fell ill at the age of twenty-five. She captured her ten-year-long journey to recovery, which took her deep into the past and to the edge of the abyss, in the form of a personal and poetic video diary. With her weakened kidneys, she visited doctors, psychosomatic experts, and an alternative healer who urged her to surrender herself into the hands of God. Gradually, she began to see the condition of her dual organs as a reflection of her unbalanced relationship with her mother, her partner, and her own body. She finally understood that if she wanted to find a cure for her diseased kidneys and start living a better life, she needed to understand herself better first.