Una Comunión

Jesús, a middle-aged man, finds out that he suffers from a venereal disease. Feeling guilty, he abandons his pregnant wife and flees to the countryside. In Pozoamargo, a small village lost in the middle of nowhere, he works as a grape harvester, living a simple existence, until he meets Gloria, a peculiar young woman.

An Italian boy dreams of becoming a bullfighter. In the sunny Andalusian pasture, a calf is born destined to be a fighting bull. Humans and animals grow up in totally different worlds, but their lives reflect each other. Only in the end will they meet.

Beto is the keeper of a house in Mexico City - empty for several years already - in which he used to work as a domestic help. The solitude of the last ten years, as well the monotony and routine of his job have made him lead a secluded life, which could seem suffocating for most people, whereas for him it provides a safe and stable environment, in contrast to the threatening outside world. He has develop a pathological fear for this world, to the point of limiting his contacts to only two persons: the lady of the house, for whom he has a feeling of deep gratitude and respect that is translated into obedience; and Lupe, a friend, a confident and a lover. Once he learns that the house has been sold, Beto is confronted to the dilemma of gathering the courage to get out and get a life or find a way of remaining in his confinement.

The film features a group of Afro-Mexican musicians from the Pacific Coast of Mexico. They live with the shore, speaking through their instruments and microphones about the traditions they cherish and the love of their homeland. Their music provides a space for the film to explore, encompassing both the historical depth and cultural characteristics of the local civilization, and paying homage to the people, the sea, and the land that exists here. Here, music not only flows with sheer beauty and passion, but is also the language that unites people.