NPS

Jean is a family man and factory worker who dreams of becoming a songwriter. Pinning his hopes on his teenage daughter, Marva, he takes her to singing contests in which the awkward and overweight girl struggles to belt out a tune. When Jean is suddenly fired because of cut backs, he is ashamed and even more desperate to have his daughter succeed. In a chance meeting Jean kidnaps the most famous pop star in the country and holds her hostage demanding to be heard by the music industry. Catching the attention of the media and the eyes of the nation, Jean and Marva realize that the show must go on until everyone is famous.

Documentary profile of legendary dance choreographer Busby Berkeley.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

In 1933, a young woman and her father discover an Alabama plantation whose inhabitants live as if slavery had never been abolished. Feeling a sense of duty to those behind the heavy gates, she stays to liberate the people and see them through their first harvest. With four of her father's colleagues and a lawyer, she faces the daunting task of resurrecting the place known as Manderlay.

Sunset from a Rooftop takes place in Belgrade. While the city is being hit by NATO bombings, Ivana is preparing herself for a night out while telling her boyfriend the news of her pregnancy.

Kees (Ramsey Nasr) is a gently eccentric loner who takes his imaginary dog for a walk each evening and likes to listen in on his neighbors' conversations. He is lonely. He has no real family, as his father is dead and his mother is institutionalized. However, when the chronically unemployed Kees gets a job at a bank, many of his co-workers don't know what to make of him, and scarcely anyone talks to him -- until the day someone comments on a photo in his wallet. Though he doesn't actually know the woman in the picture, Kees tells them the woman in the photo is his girlfriend and starts spinning tales about their "relationship." Before long, Kees has invented an entire alternate personality and is stealing photos from others to fit the new "friends" and "family" he's created.

Comical short film shows how fifty-year-old Diana Roos is doing her driving test for the twenty-sixth time. Very nervous and having the hiccups, Diana takes her seat next to the moustached examiner. But the latter is more engaged in the quarrel with his wife than in Diana. He keeps cursing into his mobile phone and is blind to the obstacles appearing in front of the car. With growing resolution, Diana disposes of all the hurdles on the way.

A documentary about the life and work of the Dutch poet and lyricist Willem Wilmink (1936-2003).

Documentary about the Dutch theatregroup the Werktheater. The aim of the company was to create socially relevant theater by means of cooperative processes and improvisation. They often played their performances on location, such as in hospitals, prisons, healthcare institutions and schools. In this documentary, those involved are interviewed about this remarkable theater group.

Nine-year-old Karo grows up with her parents in an Amsterdam commune in the Seventies. She leads a carefree existence in this utopia-for-adults. Everything is shared in the squat, but not everyone is able to honor these ideals. Karo gets confused because of the internal conflicts that start to divide the group. Karo slowly realizes that nothing can stay the same forever.

In Justiça, Maria Ramos puts a camera where many Brazilians have never been – a criminal courtroom in Rio de Janeiro, following the daily routine of several characters. There are those that work there every day (public attorneys, judges, and prosecutors) and those that are merely passing through (the accused).

A group of friends in their early twenties re-consider their boring lives in a sleepy fishing village in the Netherlands.

Documentary following the new board of FC Barcelona as they attempt to turn around the club's business performance.

Leila Khaled was the first woman to hijack a plane. In 1969, she showed her grenades to the terrified passengers by order of the Che Guevara commando unit of the Popular Front for the Liberation of Palestine. Through the ensuing media bombardment, she put the Palestinian nation on the global map. The pretty 24-year-old Leila became a hero to many Palestinians, including the Swedish/Palestinian teenager Lina Makboul, who is now a filmmaker. At least Leila dared to do something, Lina thought at the time. She visits Leila 35 years later with a camera, and finds a woman who does not regret anything.

Two sixteen-year-old girls, Sanne and Clarissa, are invited to a party by one of their brothers. The girls have done their best to dress appropriately, but when they arrive at the party it turns out that they are completely underdressed and, moreover, by far the youngest. Afterwards they visit a snack bar, where suddenly a nice boy Sanne had met that morning enters the supermarket. 'Snacken' is a subtle story, in which it is not so much about the story, but about the exchanges of glances between two 16-year-old girlfriends, in which vulnerability and bravura compete for priority.

A woman is forced to confront her apathy to the murders she witnesses every evening.

Shots, scenery and traditions of some Tuareg (plural of Targi) tribes, the Berber pre-Arab native camel-mounted nomads of the Sahara and bordering Sahel region. Their favorite pastime are stories, mixing truth, dreams, legends and poetic liberty, mainly told by the elderly and professional "griot", in tents or by the campfire, often accompanied on the single-string imzhad bow instrument. The central concept is "asshak", their ancient honor code, which stands for virtue, Allah's will and respect for life.

A documentary about the life and works of the artist M. C. Escher. Maurits Cornelis Escher (1898-1972) usually referred to as M. C. Escher, was a Dutch graphic artist. He is known for his often mathematically inspired woodcuts, lithographs, and mezzotints. These feature impossible constructions, explorations of infinity, architecture, and tessellations.

In this film with its humorous undercurrent, a widower rents the upper floor of the house of a young couple, who can no longer afford the mortgage after a dismissal. The man immediately moves in. The only thing he brings with him - hidden under a cloth - is a large cage. Acting against the man's express warning, the couple goes up to his room when he is away. Their curiosity costs both them and the tenant dearly.