NPS

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

In 1933, a young woman and her father discover an Alabama plantation whose inhabitants live as if slavery had never been abolished. Feeling a sense of duty to those behind the heavy gates, she stays to liberate the people and see them through their first harvest. With four of her father's colleagues and a lawyer, she faces the daunting task of resurrecting the place known as Manderlay.

Based on inside interviews, a picture is painted of one of the most discussed government teams in the Netherlands: the Den Uyl cabinet between 1973 and 1977.

Tv movie about writer Jan Arends loosely based on his life and writings

Documentary following the new board of FC Barcelona as they attempt to turn around the club's business performance.

When her husband Ted is put in jail Bibi suddenly needs to provide for herself and decides to contact fortune teller Madame Jeanette.

Two sixteen-year-old girls, Sanne and Clarissa, are invited to a party by one of their brothers. The girls have done their best to dress appropriately, but when they arrive at the party it turns out that they are completely underdressed and, moreover, by far the youngest. Afterwards they visit a snack bar, where suddenly a nice boy Sanne had met that morning enters the supermarket. 'Snacken' is a subtle story, in which it is not so much about the story, but about the exchanges of glances between two 16-year-old girlfriends, in which vulnerability and bravura compete for priority.

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

Mother is dying and invites her family to spend a few days in a chalet in Austria. In the isolation of the snow-covered mountains, old wounds are reopened and the family ties crumble steadily through quarrels and irritations.

In this dance film, choreographer Krisztina de Châtel returns to Hungary, her country of birth, together with her dancers and memories. In Budapest, bridges, squares, streets, and courtyards bring the hectic energy of the city to life. The dancers resist the pace of the metropolis with powerful, physical movements. In search of peace, the group moves to the countryside, where they are confronted with another, equally compelling force: the earth itself. The journey culminates in stomping, earthy movements in which control, resistance, and endurance are central. Stalen Neuzen is the result of an intensive collaboration between choreographer Krisztina de Châtel, director Erik van Zuylen, and designer Conrad van de Ven. The film shows De Châtel's work in a distinctly cinematic context and forms a poignant portrait in which the will to control and physical discipline becomes visible and tangible.

In this film with its humorous undercurrent, a widower rents the upper floor of the house of a young couple, who can no longer afford the mortgage after a dismissal. The man immediately moves in. The only thing he brings with him - hidden under a cloth - is a large cage. Acting against the man's express warning, the couple goes up to his room when he is away. Their curiosity costs both them and the tenant dearly.

Nine-year-old Karo grows up with her parents in an Amsterdam commune in the Seventies. She leads a carefree existence in this utopia-for-adults. Everything is shared in the squat, but not everyone is able to honor these ideals. Karo gets confused because of the internal conflicts that start to divide the group. Karo slowly realizes that nothing can stay the same forever.

When the work of a great writer meets an imaginative child's mind, something special happens. Tom is twelve years old and devours tomes. When he and his parents stay in a chic hotel and he turns the last page of his book, the adventure does not end for him. The next morning, the staff greets him cordially and politely. Goodbye, Mr. Bukowski! For them, too, it was a memorable night.

A woman is forced to confront her apathy to the murders she witnesses every evening.

Michiel van Erp shows us what the Dutch do in their spare time and takes a look at the industry behind all these leisure activities.

Reading relay of the novel 'Oeroeg' by Hella Haasse by eighty well-known and lesser-known Dutch people. Each person reads a page aloud, after which the book is passed on to the next reader. Philip Freriks, news anchor and ambassador for Nederland Leest, opens the reading relay. Director Shireen Strooker concludes it. 'Oeroeg' is Hella Haasse's debut novel from 1948. Haasse tells the story of the friendship between an Indonesian boy and the son of a Dutch administrator at a tea plantation in the Dutch East Indies before the Second World War. Gradually, the two boys grow apart. When the narrator, the Dutch boy, returns to the Indies—which has not yet quite become Indonesia—after studying in Delft, their estrangement turns out to have grown into a chasm. The final sentence reads: "Am I forever a stranger in the land of my birth, on the soil from which I do not wish to be uprooted? Time will tell."

Jean is a family man and factory worker who dreams of becoming a songwriter. Pinning his hopes on his teenage daughter, Marva, he takes her to singing contests in which the awkward and overweight girl struggles to belt out a tune. When Jean is suddenly fired because of cut backs, he is ashamed and even more desperate to have his daughter succeed. In a chance meeting Jean kidnaps the most famous pop star in the country and holds her hostage demanding to be heard by the music industry. Catching the attention of the media and the eyes of the nation, Jean and Marva realize that the show must go on until everyone is famous.

An intimate portrait of the Dutch filmmaker George Sluizer, best-known for The Vanishing (1988).

Documentary about animator and artist Gerit van Dijk. The film follows van Dijk as he works on his film ‘I Move, So I Am’.