Universidad del Cine

Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.

Eugenio offers his childhood friend Martin a work for the summer. With a game of power and desire a relationship starts to grow that goes beyond their friendship.

At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.

Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with its 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he has vanished too.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

The portrait of a man and his attempts to make things up with life after losing his job.