Universidad del Cine

Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

Eugenio offers his childhood friend Martin a work for the summer. With a game of power and desire a relationship starts to grow that goes beyond their friendship.

At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.

Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with its 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he has vanished too.

Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.

La Patagonia, southern Argentina. After his mother's death, Nahuel, a violent teenager, meets his biological father, Ernesto, a skillful hunting guide; but their reunion is harsh, since their souls are only ruled by pride and resentment.

Mariano and Juan have been dating for several years; they have a dog and a quiet life. Mariano always wanted to have a small plant nursery away from the city and now that Juan’s work as a writer is more established due to the success of his latest novel, they decide to make that change. While they adjust to their new space and their new routines, they receive a visit from Juan's best friend, who has news to tell them.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

A married woman with a mute daughter has a forbidden relationship with the single father of a teenage boy.

A scientist and his daughter will have to face Him, a capricious god, as they interfere with His goal: stripping people of their memories and turning them into creatures known as "Forgotten Ones".

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

The first Carapintada uprising in 1987 puts Raúl Alfonsín’s presidency in check. A meeting and a speech install an even more latent enigma.

The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

An artist, both nervous and distracted, finds himself under interrogation for a crime he possibly did not commit, even though his hands are dyed red.

Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.

The night. One night. Perhaps any night anywhere. It rains. A woman. No. A man. A man and a woman. No. A man, a woman and someone else. The table. A table. A table immersed in alcohol, singing, playing music. The music. No, jazz. JAZZ! The seduction, the crossing. Acting, pretend. Laught. The kisses. No. Decline. One night, a woman a man and someone else, on a table. No. The Void.