Propaganda Italia

In 1575, the young soldier Miguel de Cervantes is captured on the high seas by Barbary pirates and taken to Algiers as a hostage. Aware that a cruel death awaits him if his family does not pay his ransom soon, he finds refuge in his passion for storytelling.

After years of estrangement, a trans woman returns home to help care for her dying mother.

Centers on a mother-daughter relationship that spirals out of control following a shocking revelation. During a thunderstorm, Anna shows up unannounced at the student apartment of her daughter Alice and reveals that their entire family history rests on a lie she told her. Anna claims to have made a pact with a mysterious stranger to save Alice’s leg after an accident 20 years earlier. That pact has triggered a domino effect causing terrible events over the years. Only Alice can help to put everything right. But at what price?

Anna wakes to kind faces she doesn’t recognize and a remote island she has no memory of. She is forced to re-learn everything about herself, her husband and the baby she is carrying. But when two disfigured people arrive on the island and there is a violent altercation she discovers that the human race is close to extinction and goes searching for the truth about herself.

On his deathbed, Ludovico entrusts his daughter Margot to the housekeeper, Felicia, asking that the family villa be transformed into an orphanage so that the little girl can grow up in joy with other children. But the wicked Felicia only wants the little girl's assets and not take care of her. With the complicity of her suitor, Max, she exploits the orphaned children and keeps Margot segregated and neglected to the point that the child withdraws into herself and no longer speaks. One night, however, Margot manages to escape and, after overcoming the darkness of the woods, she comes across a circus.

In the past few days Rome has been the scene of a singular event: when it rains, the manholes exhale a dense steam whose origin and composition is unknown. No one can imagine that whoever breathes in the mysterious substance will have to deal with what he/she represses, their darkest instincts, their anger. Not even the Morel family.

Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.

Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

In the summer of '75 Pier Paolo Pasolini's film, "Salò", is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.