Centre du Cinéma et de l'Audiovisuel de la Communauté Française de Belgique

The Stievenart family decides to spend their vacation far away and puts an ad on the internet. The Mailon family responds by offering to exchange homes. But the Stievenart family has an environmentally friendly house, while the Mailons consume a lot of energy.

Abbé Donato believed he could live a quiet little life, far from all temptation, in the village of Sainte-Urulle, well placed in the race for the title of asshole of the civilized world. For temptation is something he would do well to be wary of, he who, beneath his cassock, hides a body made for the pleasures of love. Pleasures that the Baroness de Bailleux, a young nymphomaniac aristocrat, has nevertheless decided to introduce him to. Having fallen under her spell, the clergyman discovers that she is also the muse of a Satanist priest who officiates in a neighboring town, Canon Debruges, and, incidentally, the mistress of a psychiatrist who is a member of the Gilles de Rais fan club. Having become the baroness and the canon's plaything, the abbot enters a downward spiral that will take him to the limits of morality and even madness.

The Barons have a motto: "slack off more to live longer." Every human being is born with a credit of steps. Every step you take brings you closer to death. We Barons know this from the start.

This film is the result of more than two years of work tracking down archive material and witnesses close to Mobutu in Africa, Europe and the U.S. More than 950 hours of footage have been seen by the world. Among the 104 hours selected as the basis for this film, are 30 hours of archives recently discovered in Kinshasa and never before released. Completing these exceptional documents, are more than 50 hours of interviews with those close to the former president and the events surrounding his reign, conducted by the director in Kinshasa, Brussels, Paris and Washington. Like a vast historical puzzle, this film pieces together the tragic history of a country, and its self-styled leader - the dictator, Mobutu Sese Seko, "King of Zaïre".

How do humans and animals see each other? Dominique Loreau captures astonishing exchanges of “views” between people and animals who coexist in the city, in farms, slaughterhouses, zoos, museums, or in a dance rehearsal room. In The Eyes Of A Beast questions the permeable boundary between man and animal.

The postcard obviously begins with a map. Posted in the Caribbean, it is addressed by a father to his son. We quickly understand that the mother and her child are preparing to leave for the funeral mass of the father in question. Confident in his father's life and good health, the boy refuses to believe that the coffin is occupied and, indifferent to the solemn atmosphere of the moment, he worries about a young woman standing apart from the procession.

An old man from Namur and his grandchild take part in a live radio show. Maxime Cottin, a writer and town celebrity has just published a new book. He is asked to narrate a story about the day he turned ten years old. The memories and images conjured up by the story induce a strange tension between the two men.

This film follows the fortunes of an old Peugeot off loaded in Cotonou, Benin. As it changes hands we get a glimpse into the lives of its successive owners.

Tells the story of four young people who were affected by the Vargas tragedy in 1999. They were six years old when the natural disaster occurred that left painful traces. In their adolescence, they participated in talks and short films to speak and give recommendations to more than 4,000 students about prevention and mitigation in the face of a natural and social disaster.