Latvijas Televizija

For more than a decade, wildfires of unprecedented force have been devouring our lives, homes and forests at a steady pace. Each year, 350 million hectares of forest go up in smoke, the equivalent of six times the size of France. In the US, the fire season now lasts up to two months longer than a generation ago, and the surface burnt annually has multiplied by three. This film sets out on a gripping journey of investigation from Europe to the US, Canada, Brazil and Indonesia to follow the work of a global team of dedicated firefighters, scientists and fire experts as they investigate why our forests are going up in flames, and act on an unexpected discovery: if we want to save our forests, homes, health and our climate, we need to radically change our attitude towards fire and the way we fight wildfires.

A family drama based on the short story "The Edge of the Abyss" by Raimonds Trasuns.

Russian Federation, December 31, 1999. After President Boris Yeltsin's unexpected resignation, Prime Minister Vladimir Putin becomes acting president of the country. From that day and for a year, Vitaly Mansky's camera documented Putin's rise to power. The story of a privileged witness. The harsh explanation of the reason why politics is the art of possibility of achieving the best with the support of many, but also of giving the worst in return.

An attempt to understand the people chanting "Atlaist Saeimu!" (Sack the parliament!) year after year. Though rarely attracting a great deal of notice, there are always individuals collecting signatures for a referendum to dissolve the parliament for one reason or another, or simply standing outside the building and reciting their familiar mantra. Latvian governments change fairly often, but the parliament has been dissolved in line wth the Constitution only once, in 2010 (in 1934 it was dissolved unconstitutionally following a coup by Prime Minister Kārlis Ulmanis). The actual parliament building in Old Rīga was, however, attacked in January 2009 during a very rare violent protest which precipitated the fall of Ivars Godmanis' cabinet. The documentary zips back and forth in time giving portraits of various different people and political forces pushing the idea to "Atlaist Saeimu" for different reasons.

The film focuses on a bizarre state of affairs in the northern city of Valmiera where the corpse of a man has lain for nine years because of complex and contradictory communications between the relatives and various responsible institutions. The situation could easily have come from the pen of Gogol or Kafka, but is all too real and prompts questions about the more general problem of bureaucracy in Latvia.

A group of children from the capital city of Riga arrive in the small border village of Ipiķi. The townsfolk immediately know that "they aren’t locals, they’re from the capital. You can tell by the way they dress.” The differences between the city and rural children are quite evident. While the country children nimbly climb trees, play games with knives and axes, and hide in their self-made tree house, the city children buy sweets in the town store, hoping to buy the goodwill of the local children. However, gaining entry into the tree house is not so simple.

Little Anna is waiting for her first Christmas.

Alekss arrives at the Murjāņi sports school to become a champion. He’s introduced to the ironclad daily routine, which starts at 7 AM and ends at 8 PM, with practices twice a day and the rest of the time filled with lessons, exams and homework, just like at any other school. He has to wash his own clothes, make his own bed and clean his own room. The second hero of the film, Kristaps, has been living at Murjāņi for three years now. He takes part in the European Youth Olympic Festival, where everyone is strong but only a select few make it to the winners’ podium. Luck is not on Kristaps’ side in this case, and what he gets are only harsh reprimands and tears in his eyes. This slice of life at Murjāņi shows the difficult path to victory through sweat, tears and hard work.

Instead of Einars Pelšs' eighth poetry book, he publishes his collected works, but the buyer of the book receives an ordinary brick. He translates the authors of the Russian Golden Age and publishes them under his own name, challenging the boundaries of literature. Is a poet who makes fun of art unique or exactly what we expect from contemporary authors? Einarrative is an extraordinary story that portrays the narrative of the life of Einārs Pelšs. In the film, this narrative is an experience of contrasting changes both in its visual style and in Einars’ poetic works and personality, allowing him to get involved in the depiction of the narrative himself, making the film as Einārs Pelšs' audiovisual collected works.

Lords of Riga allows to see an insight into a passionate subculture of bike couriers. Weaving their way through the urban traffic, they have become silent and sometimes unnoticed witnesses of everyday life in Riga as well as examples of our modern-day society. What is freedom to this bunch of rebellious messengers and where it ends?

Līgatne river ferry crossing takes locals, tourists, passers-by and cars from early spring to the fall over river Gauja. It's the last of what were once many such 'rope ferries' across Gauja, but it remains more than an historical oddity and plays an important part in many lives. At just 12 square meters, the wooden ferry nevertheless encompasses an intriguing and sometimes surprising selection of what constitutes 21st-century Latvia.

The story of one of the most vivid legends of Latvian theater – actress Antra Liedskalniņa. She is the only female actress included in the Latvian Cultural Canon in the field of performing arts.

Project: Moving sees a young professional explore and debate the trend of young people leaving Rīga for somewhere more suitable for living, particularly the town of Cēsis in the scenic Vidzeme region. "We are simply showing that right now Cēsis has become the hipster capital, and it's not bad at all. It's like a different kind of gentrification, and it affects not just a single quarter, but the entire town."

'Žagari' traces the lives of Andrejs and Juris Žagars, brothers from the city of Cēsis, who both became distinguished in the arts as actors and administrators of art institutions, while both also found success as entrepreneurs. The original plan of the filmmakers was to show two strong personalities with their characteristic relationship and rivalries. However, fate intervened during the filming process, transforming the result into a powerful and touching portrait of brotherly love and the importance of family ties.

Latvia is home to almost one fifth of the world’s population of the lesser spotted eagle, yet their number is endangered. Uģis Bergmanis is one of Latvia’s best-known ornithologists, and he does his best to save the eagles in Latvia. He also has another passion – he hunts wolves. He can sit for hours in freezing temperatures until meeting his prey eye to eye. There are many stories in this man. And some of them are going to be told.

In this film a young man and his curmudgeonly grandfather are going 1,800 km to northern Russia in an old Zhiguli car, hoping to find the grave of their great-grandfather, who was deported. The grandfather Andris is sceptic over the lofty quest, initiated by his grand-son, as it’s not known what awaits them at their destination. Andris thinks they won’t find anything and will come back to Latvia without ever learning what happened to his father. However ever-optimistic Kārlis wants to use the journey not only to find answers about the past but also become closer to his grandfather who raised him. They both lost their parents as children.

Behind the all-seeing eyes of surveillance cameras, there is always someone watching the Latvian capital. "Full Moon Serenade" offers the viewer a unique opportunity to get to the other side of the surveillance cameras on the nights of the full moon to see Rīga's night life in all its quirky forms. The film is a tribute or a serenade to the nocturnal city, night dwellers and night watchers.

After a Russian missile strike kills their 11-year-old son and critically wounds his mother, a grieving father holds a phone to his child's ear at the funeral so she can say goodbye from her hospital bed.

Standing near the reptile section in a zoo we can learn a lot about the animals on both sides of the separating glass.

“Mierjema” in Liv means “to be by the sea”. The film documents a very diverse population of Latvia that lives, works and spends time on the shores of the Baltic Sea. In the form of short, kaleidoscopic stories the film captures and reflects on people’s habits, needs and dreams. To what extent the importance of the sea is to meet our basic needs and - how important is it to our spirit?