Sirocco Productions

Set in mid-70's, 12-year old Dvir Avni navigates between the equality values of his home-born Kibbutz and the relationship with his undermined mother, whom the Kibbutz members will to denounce.

A vicious satire of the war on drugs, a DEA agent is sent underground to bust the toad smoking scene with apocalyptic repercussions and romantic consequences.

Twenty years after shooting the film Souvenirs, Shahar lives in Amsterdam, raising two Dutch-Yemeni children, just like the grandchildren his late father had longed for. He runs the best falafel food truck in town, employing refugees from all over the world. His son Salie, is a 14-year-old adolescent with a sharp tongue and plenty of criticism. Embarrassed by Shahar’s market job, he wants his father to open a respectable restaurant. Shahar dreams of a restaurant too, but cares more about the refugees he would need to let go. The solution comes from Salie, who starts to grasp what truly matters in life.

The first part tells of the life and works of L. Frank Baum, along with his career as a writer and filmmaker, centering on the creation of Oz. This portion continues with the effect of Oz after his death, with novelties, dolls, radio, stage, and screen adaptions, and advertising gimmicks based on his work, culminating with MGM's Wizard of Oz (1939). While discussing some of the major alterations between the book and the film, such as MGM making Baum's real-life adventure a dream. The second half is about interpretation of Oz by other artists, including Helen Kish, Barry Moser, Barry Mahon, Evelyn Copelman, Robert Tonner, Robin Woods, Michael Hague, Lizbeth Zwerger, Pavel Arsyenov, and Charles Santore. The documentary concludes with an analysis of Baum's work and its profound effect on American culture.