Reck Filmproduktion GmbH

Collective singing calls for deep listening and mutual attunement – heard in the voices of the sisters of a historic convent, echoed in traditional male vocal ensembles, carried through football stadiums, and rising in the resounding protest chants of women’s marches.

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

Darío Aguirre moved from Ecuador to Germany to be with Stephanie, but from the very first day there was a third party in their relationship:the government. They issued him ten visas in fifteen years. A long trail of papers, stamps, permits, and restrictions connected Darío to Germany while also keeping him at a distance. Then one fine day the mayor of Hamburg invites Darío to become a German citizen. A confession of love? Darío responds with a tender, ironic road movie that traces his intertwined journey from the country of his fathers to the country of his children.

A thrilling film about people who, with almost archaic power, use their feet to express themselves artistically. Starting with the "Bödälä," a dance from central Switzerland where the feet pound out the beat, the film embarks on a journey that leads to tap dancing, flamenco, and Irish dancing. The rhythmic beating of the shoes recalls the original folk and ritual dances. "Folk dances" are transformed into performance and competition dances. The film features encounters with passionate dancers who all use their feet to express joy, pleasure, and sadness. Starting with the "Bödälä," a dance from central Switzerland where the feet pound out the beat, the film embarks on a journey that leads to tap dancing, flamenco, and Irish dancing.

The revealing life story of Güli Dogan conveys impressively and in exemplary pictures the long and difficult path of a successful integration. Between the Worlds is the portrait of a woman who is very well integrated professionally and socially in Switzerland, but who is emotionally strongly connected to her village, which hardly exists anymore.

Mulhapar is a village in the wide expanses of the Punjab in Pakistan. A country associated with violence and intolerance. Beyond this sombre prejudice, the film plunges into the brimming life of a community of poor and rich people, Muslims and Christians, the young and the old, women and men. In Mulhapar, their family and individual destinies, as well as their stories and anecdotes are condensed into a vivid mosaic.