Miramemira

One summer, Dídac travels by bike along the Danube with his family, starting where the river first emerges in Germany. As they journey downstream, he begins seeing a mysterious boy, Alexander, who appears and disappears in the water. Dídac feels himself changing, drawn toward Alexander and away from his brother Biel. Their mother, Monika, who once took the same trip as a teenager, drifts into memories of a past summer love. When she sees Dídac and Alexander together, she encourages them to continue the journey alone. But as twilight falls, Dídac begins to question who Alexander truly is.

Maria is a shellfisherwoman and midwife in a small village in the Illa de Arousa in 1970s Galicia. After an unexpected event, she is forced to flee to Portugal.

When Amador Coro gets out of prison for having provoked a fire, nobody is waiting for him. He returns to his home town, a small village hidden in the mountains of rural Galicia, to live with his elder mother, Benedicta, and three cows. Life goes on calmly, following the rhythm of the nature. Until the night when a fire devastates the region.

Lola is a U.N. human rights activist whose life unravels when her Syrian friend Fariya disappears while attempting to enter Europe. Consumed by an obsessive search, Lola risks her career, relationships and personal safety to uncover the truth, ultimately confronting the brutal realities of the migration system she once believed in.

Waiting for answers that don’t seem to come, Sica stares at the waves crashing against the coastal rocks. Her father, a fisherman, drowned in the sea. In an isolated corner of the world, Sica doesn’t lose hope. Even if she needs to go against the current.

In the midst of an energy crisis, an oil engineer sent by a European commodities company ventures into a resource-rich Latin American country under a political upheaval. He is tasked with evaluating the integrity of the world's largest oil reservoir, however he is unable to do it, forcing him to escape at any cost.

A weary radio host encased in her headphones, Gal·la, plays Chopin’s Concerto No. 2 in F minor, interrupted by a child in a karate uniform. After the studio she reads a story to help him sleep, though no one quite manages. Encountering a stranger, the three begin a new broadcast that beams from their room. Sound is the main preoccupation of La nostra habitació, it encloses, intrudes, draws together and sets free.

My mother always told me that I could be whatever I wanted. Through home videos recorded in my childhood, I talk about my education and my relationship with art. María, Catuxa and Aroa, three emerging Galician artists, complete this reflection while showing their work. This documentary opens a dialogue between the domestic archive and interviews, addressing topics such as freedom, women, rural culture and the importance of roots.