Région Provence-Alpes-Côte d'Azur

Newly transferred to the bustling port city of Marseille to assist with a crackdown on organized crime, energetic young magistrate Pierre Michel is given a rapid-fire tutorial on the ins and outs of an out-of-control drug trade. Pierre's wildly ambitious mission is to take on the French Connection, a highly organized operation that controls the city's underground heroin economy and is overseen by the notorious —and reputedly untouchable— Gaetan Zampa. Fearless, determined and willing to go the distance, Pierre plunges into an underworld world of insane danger and ruthless criminals.

After a serious accident Giuseppe is out of work. His son Antò dreams of being an archaeologist and thinks his father's glass eye is a sign he has superpowers. It's just the two of them now, since their beloved wife and mother Angela collapsed and died while working in the fields. Now they've lost their home, too, and have taken shelter in a tent city with other seasonal workers. Through all this, Giuseppe still summons up the strength to hug his son every night and tell him a story. He's promised Antò he will have his mother back, one day, and will do anything to keep his promise.

Despite their children's reluctance, Radi and Mounira, a 65-year-old puppeteer couple, set off on tour between Israel and Palestine in their outdated van. They are exhausted from having to set up and take down the stage, from performing three shows in a row in front of hundreds of wild children under a burning sky. Lost in Jericho, frightened by the bombs falling near Majd Al Shams, destabilized by the Bedouin children of the Negev unable to determine their own identity, they no longer know if their mission is still relevant. Safeguarding the identity of their people through their shows, but at what cost? A quest for Palestinian identity.

Amin has come from Senegal to work in France, leaving behind his wife Aïcha, and their three children. He leads a solitary life in France, where the only space he occupies is his home and the building sites on which he works. Most of his earnings are sent to Senegal. One day, he meets a woman, Gabrielle, and a relationship is born.

An anti-conformist, Pedro Almodovar has dared everything in his immense cinematic career. Confronting impulses, drugs and unbridled sexuality, cross-dressing identities, over the years he has allowed a colorful, uninhibited, taboo-free post-Franco cinema to blossom. In a Spain now caught up in its past, the native of La Mancha embodies all those Spanish generations who know how important it is to remember and protect this artistic insolence at all costs.

Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!

Stephane sells cleaning products. Unfortunately today he enters the wrong house and has to think fast in order to survive.

Stuck in a tunnel after a car crash, an amnesic woman needs to escape the wreck before it explodes. But the memories that come back to her in flashes are revealing another shocking story…

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells King Shahryar her stories but these are not those in the book. As in the book, these stories are tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events.

A poetic David and Goliath tale, where David is an eco-activist with shields, helmets and Molotov cocktails in the backpack. Director Laurie Lassalle documents the spirit and atmosphere with loyalty and an extraordinarily confident cinematic vision.

When a boy’s close bond with his mother is imperiled one night by the arrival of a mysterious stranger, matters of nature and nurture collide.

Mehdi's life lies on a fragile balance. He plays the role of the perfect Algerian son for his mother Fatima, while hiding his relationship with Léa and his passion for French cuisine and wine, which he pursues as a chef at the bistro where he works. But Léa can no longer tolerate his family secrets and demands to meet Fatima. Cornered, Mehdi comes up with the worst possible solution...

Α tragi-comedy about 9 women of different ages and various backgrounds that gather in an Algerian hammam to talk about their lives.

To tell the story of Joseph Kessel is to tell the story of the entire 20th century. He lived a thousand lives in one: reporter, novelist, exile, resistance fighter, screenwriter, adventurer, gambler, poet, alcoholic, cabaret lover, seducer, and inveterate globetrotter. Through archival footage and Kessel's colorful language, this film traces the journey of a man who turned reporting into an epic and reality into the stuff of novels.

In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.

Becoming a father is an extraordinary adventure in a man's life, but it is also a real physiological metamorphosis that science is only just beginning to reveal. Researchers from multiple disciplines are lifting the veil on these changes taking place in men who are in contact with young children, and their discoveries are astonishing. By tracing the thread of evolution, the film reveals that these deep, long-ignored bonds between men and children are very ancient. And that they are just waiting for the right context to fully express themselves.

This is not a chorus film. Well maybe just a little… Avignon Festival - Summer. First, there’s Maud and Alex, who have just broken up but need to pretend to be two love birds on stage. Then there’s the playwright of their play, Richard, who could start to fall in love with Léna, but is still grieving his lost wife. Léna is also grieving her ex but can’t remember why she dumped him. So she sings her blues, on stage, with Louise, who might have a little crush on her sound engineer. Then there’s the famous dancer Kate who sleeps with her assistant Marko, who’s always prefered men. Oh, did we tell you that Kate the dancer and Maud the actress are friends and would love to invite everyone to a party?