absolut MEDIEN

Robin is 16 and has had enough: permanent trouble at school and at home. On the run from his dull everyday life, he joins a group of skinheads. The clique strengthens their sense of belonging by beating up foreign youths. This is how the "apolitical" boy slips into the right-wing scene, and it's not easy to get out of it. When they injure a Turkish girl during a robbery, Robin, of all people, is questioned by the police.

They do not earn millions, yet they are happy nonetheless: Maria Meissner (87), Josef “Sepp” Schmid (74), and Rudi Egerer (65) have spent most of their lives working for FC Bayern. Maria still cleanses the trophies nowadays, Sepp still washes and prepares the jerseys of the players in the basement, and Rudi is still the bus driver. They are simple people who may have access to the glamorous world of the big stars, but who never wanted to adapt to the ‘modern times’ unconditionally. They have remained side characters and experience their club from a special angle: Being witnesses of the development from a people’s sport to star cult and commercialisation.

These last major lectures by Hans Heinz Holz (1927–2011) follow his philosophical reflection from Parmenides to Karl Marx. They were recorded in October 2009 at his home in Sant’Abbondio, Switzerland.

Slavoj Zizek, born in 1949 in Ljubljana, psychoanalyst and professor of philosophy, started early on a group of theoreticians who sharpened their thinking of the theses of Jacques Lacan. The Slovenian Lacan School was a spiritual resistance nest in orthodox ex-Yugoslavia, and Slavoj Zizek emerged as a globally operating philosopher-entertainer.

Documentary about the feminist historian Gerda Lerner.

Walter Gropius saw stage design as an interplay of various disciplines, comparable to architecture, forming an "orchestral unity." From the structural affinity of the two arts, he derived the necessity of establishing a Bauhaus stage. Here, the fundamental elements of "stage design" were to be examined and reformulated. At the center of the Bauhaus stage was Oskar Schlemmer, who headed the stage workshop from 1923 to 1929. With his Triadic Ballet and the Bauhaus Dances, he explored the tension between people and space, and thus the fundamental conditions of theatrical design, through abstract and geometric play with form, color, sound, movement, and light.