De Vlaamse Opera

Production from Antwerp. The knight Titurel has built a fortress for two sacred objects he has miraculously obtained: thechalice from the Last Supper in which Christ's blood was later collected, and the spear thatwounded Christ on the cross. The chalice is believed to be the Holy Grail that gives life and has apurifying effect on the human race. The Grail has become the focus for a community of knightswho, strengthened by the holy chalice, are willing to fight for the faith. All the knights have takena vow of chastity. However, the Grail King Amfortas, their leader and Titurel’s son, fails to resistseduction by Kundry, a woman with a double life: she is both a Grail messenger and temptressin the service of Klingsor.

"Music is a dream from which the veils have been lifted. It's not even the expression of a feeling, it's the feeling itself." This quote from Claude Debussy describes the musical world of this programme, made up of his own works and works by Maurice Ravel. In the choreography of Ravel's and Debussy's music by Jeroen Verbruggen and Sidi Larbi Cherkaoui, fluid lines, dream and atmosphere are strongly present.

More than anything in the world, Rusalka, a mysterious and elusive water nymph, yearns to become human to win the heart of a young prince. But this metamorphosis comes at a price: she will lose her voice and be damned forever should their love story fail. Rusalka, a lyrical fairy tale inspired by The Little Mermaid and Undine, is Dvořák’s penultimate work and one of his greatest successes. In Opera Ballet Vlaanderen’s production, Norwegian director and choreographer Alan Lucien Øyen adds a new dimension to this masterpiece of the Czech repertoire by representing the main characters on stage twice: by a singer and a dancer. This doubling reinforces the opera’s deeply dreamlike nature. The impressive South African soprano Pumeza Matshikiza embodies the character of Rusalka, while the Lithuanian conductor Giedré Šlekytė leads the orchestra with brio and intensity.