DGC

The young couple Han-gyeol and Go-woon are staying in a Sauna with their son Woo-rim. One day, Woo-rim gets badly hurt and to save hospital bills, Han-gyeol enters an empty house of the old lady he got to know while working on delivery. It’s a perfect home for the family but they can’t stay there forever. The sweet dream will end when the old lady comes back from trip.

During a summer vacation, Ok-ju and Dong-ju move into their grandpa's house. While Dong-ju adapts to his new home, Ok-ju feels awkward about this new environment. Once their soon-to-be-divorced aunt also moves in, and as Ok-ju spends time with her family, the house and her grandpa start to grow on her.

Upon the retirement of the father, who has been a teacher at Cheorwon Technical High School, mother, two sons and daughters-in-law gather in Cheorwon. The retirement ceremony is rather quiet, and father drops the bombshell at a Chinese restaurant while eating. When he announces he will get a divorce, mother is so angry she doesn’t know what to say, and the sons and daughters-in-law are confused. Heavy snow hits Cheorwon keeping the buses from operating, and the family start an awkward time at the father’s residence.

An Army private fails to expose abuses he suffered from his senior. When every member of his platoon gets passes, the senior starts searching for the culprit who tried to report him.

O-bok’s eldest daughter is about to get married to an educated, well-off young man, but she’s far from happy. It’s not just hot weather, hot flushes, her daughters’ materialism, her mother’s dementia, her husband’s drinking, or the impending gentrification of the food market where she sells fish – although all of that will push her to take a stand. After trying to cover it up, O-bok reveals to her daughter that she was raped by a fellow stallholder, the man organising the traders against their landlords. Increasingly furious, O-bok eschews the useless police to pursue her own justice, even if it means a physical fight.

Four middle school students, who are the members of a photography club receive an old-fashioned analog camera from their teacher. The teacher asks them to take pictures of 'the end of the world' during summer vacation. While they discuss where would be the end of the world, as one of the girls suggests, they just get on the subway to go to the very last station.

Su-min and Jin-ho are siblings living together. Their parents declare to them that they will divorce soon. They say that it is not decided yet how the four members of the family live apart, and ask them to wait for about 2 weeks. Su-min spends every day worrying about which parents she's going to live with and whether she will live apart from Jin-ho. One day, her parents offer her a suggestion.

Sejun lives in a small suburban city with his sickly mother, incompetent father, and an elder brother. Sejun has a crush on Sukyung and one day, he finds out that Sukyung is pregnant by his best friend, Jinyoung. Sejun shares this secret with Sukyung and feels he has to protect her. This is the story of a 16-year-old boy who takes shelter from his own family troubles by becoming involved with a girl’s secret.

One day, his mother who had sacrificed everything to a church to cure his elder brother's illness, kills herself. His good-for-nothing father has long been out of the picture, evading debtors. Siwan, left alone, goes to a provincial town and finds a young but revered minister of the church who has hidden himself in a small internet cafe. Siwan intends to avenge his mother himself but it's far from easy.

Seonghee, who takes care of the disabled, visits Hyeonmok’s house newly assigned to her. Hyeonmok’s mom is a severely disabled person who lies unconscious all day long. Seonghee wonders how she can help.

Three people pretend to be a family in order to solve their housing problem.

Dabin, a 27-year-old woman studying films, began calling herself a feminist three years ago. She goes out without makeup, checks hidden cameras when using public restrooms, thinks of domestic violence at the cries of a woman next door, participates in street rallies, and gets hurt by her family’s reaction to the feminist movement. When a Hen Crows is a private essay film exploring the gender identity of a woman in her twenties in Korea using the narration of the director’s diary, referring to herself as a third-person ‘woman.’ Scenes of a family moving show a sense of the home video. Rather than making a clear voice toward the world, the self-reflection and sincere gaze look into the subtle movements of internal emotions.