Prisma Films

Franz Murer, the Butcher of Vilnius, a former Austrian SS officer, established, organized, and ruled the Vilnius ghetto in Lithuania during the World War II. Different survivors of the Shoah testify when he is judged in 1963, hoping to do justice, but, although the evidence is overwhelming, the desire to close this obscure chapter of history seems to surpass the desire for justice.

Twenty-year-old Henri Rebecque wants to make his dream come true: to bring Benjamin Constant's Adolphe to the screen in amateur format. Armed with a sixteen-millimeter camera and a team of friends, Henri embarks on this adventure, playing the role of Adolphe himself. Despite all the warnings, he lived through the passion and ordeal of the novel's hero, right to the end. Different times and circumstances will not change this.

Ginette Chaluzac, who has left Central France for Paris, now works as a seamstress in a modest workshop in the Marais district. Her life is quiet and uneventful until the day when, to her surprise, she receives a letter containing a hundred-franc banknote. The sender, who remains anonymous, renews his gift day after day and Ginette grows accustomed to the situation. Her material situation improves but after a while she starts asking herself questions about the one who sends her the money and his/her intentions. Till obsession. To make it clear in her mind she eventually decides to investigate...

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

The lives of different indie artists of the Hollywood film industry intersect when they get tired of failing and have the opportunity to make a "promising" feature film.

Retracing the trip to Tunisia that painter Paul Klee took in 1914, Tunisian filmmaker and painter Nacer Khemir leads viewers on a journey of discovery into Arabian culture.