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A film that traces the hard life of 29-year-old woman Seonghye for a significant portion of running time. After graduating from college, she worked as an intern in a large company. When the protest against sexual harassment was ignored, she reported to the Human Rights Commission and left the company. She currently is unable to work elsewhere and lives on part time jobs. Her father is in the hospital, and her mother working at the restaurant asks her for money. Her boyfriend preparing the civil service exam is incompetent and behaves tactlessly. Seonghye, who silently endures working in the difficult situation, makes a deep impression without particular devices to dramatize, because the film centers on the characters' feeling in everyday, instead of developing dramatic events.

Munseong goes to Gunsan for the first time in 30 years upon hearing his father Gwangdeok is dying. Gwangdeok’s death brings Munseong and his son Dojin together, but they are unable to reconcile. Painful history repeats in father-son relationship.

A diligent mother who runs a side-dish store keeps calling her son, a part time teacher, incompetent. The son resents his mother’s prickliness, but he isn’t very sweet to her either. One day, all of a sudden, his mother gets dementia.

Yeon-ju is an assistant director who has been trying to be a writer-director for ten years. After being turned down her last script and assigned an unwanted side job in her home town by an executive, she seriously considers quitting all. To make things worse, her mother gets sick. She got stuck in an unwanted circumstance. But strange enough, the unwanted side job gives her a glimpse of hope. The project is about the last Kie-sang (the feudal age courtesan) San-ok, who was the most excellent artist. Somehow Yeon-ju feels connected with her. At the verge of giving up her dream and life altogether, Yeon-ju starts to write a new script with the help of San-ok in her fantasy.

Lee Nan-young, who is famous for ‘Tears in Mokpo,’ made her debut at OK Records in the 1930s, and married Kim Hae-song, an acclaimed, genius composer at that time. In the year of liberation in 1945, 'KPK Musical Troupe' won popularity with the duo of Lee Nan-young and Kim Hae-song, but Kim got kidnapped by North Korea. During the Korean War, Lee made Korea’s first girl vocal group ‘Kim Sisters’ with her daughters Suk-ja, Ae-ja and her niece Min-ja who inherited their parents’ musical talent. Thanks to Lee’s desperate effort and intense training, ‘Kim Sisters’ gained popularity at the American 8th Army base. They got all the way to Las Vegas, USA for the first time as Asians, showing strong appeal to American public. Min-ja of ‘Kim Sisters’ is still working as a singer in Budapest, Hungary. The audience can meet the three shy girls who fluently sang songs in English without even knowing the language, through the memories of Min-ja in the film.

The North Korean defector, who has just settled in the South, is confused by his brother who was separated from the defection process. Ji-hyeok, a Chinese restaurant deliveryman who is having a hard time finding a job due to his criminal record, wants to leave Korea as soon as possible. To raise money for his defector brother, Ji-hyeok, who is involved in a dangerous drug-transport errand, suggests intercepting billions of won of methamphetamine.

On August 30th, 1974,a time bomb set by the "Wolf" brigade of the East Asia Anti-Japan Armed Front destroyed the Tokyo Headquarters of Mitsubishi Heavy Industries. "Fangs of the Earth" and "Scorpion" soon followed with more bombings. Unlike other leftist groups at the time that sought to seize the Japanese state to build socialism, the EAAJAF were explicitly opposed to the Japanese nation-state, understanding it as an imperialist power in East Asia and a junior partner to American imperialism. Over 50 years have passed since the Mitsubishi bombing; some EAAJAF members have passed, others are still incarcerated, and some have been recently released. In the intervening years, a group of friends and family members stepped forward to support their incarcerated loved ones, answering questions about how to provide long-term prisoner support for people incarcerated by the state and condemned by society.