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Placide's dad tells him on his deathbed he'll haunt Placide if he doesn't find a wife soon. Placide cautiously agrees, but he only wants to settle for a very beautiful woman. That might be easier said than done, since he is a vagabond. When he accidentally enters a photo shoot, Placide meets Sarah. He falls in love, but she is way out of his reach.

An actor pretends to be a writer. He sits in his office, reflects and puts words to paper, which are then performed by Jan Decorte. The text influences the situations shown and vice versa [Avila].

A 17 year old girl runs away form home and finds shelter with a 50 year old man with a psychiatric past.

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.

Leontientje, the Parisian niece of an East Flemish farming family, comes to stay. Aunt Zeunia is dying and has asked for her. Her visit completely disrupts life on the farm. The men fight for her attention, and the city girl is delighted by every bit of nature: 'Comme c'est beau!'. Her Parisian manners—two kisses for everyone—drive the farmer's wife up the wall: "All that fuss!" But the youngest farmer starts dreaming...

The film describes the first working day of a twelve-year-old girl, shortly after the turn of the century. After a miserable childhood in a proletarian family, where she was mother to five toddlers, the sensitive girl follows in the footsteps of her parents and seventeen-year-old sister and sets off for the brickworks. The girl bravely defends herself at work, enduring the boys' bullying without tears, but when the day comes to an end, the foreman tells her that she must go to Krevelt, the boss, to be registered.

A woman takes revenge on her cheating husband by inviting his mistresses on their anniversary party. She thanks all of them and announces she's going to divorce him.

He's the "Rocky" of the 15th century-defender of the poor, enemy of evil, champion of justice. He's fearless and the strongest man in the land. He's ready and willing to take on all wrong doers-rich and poor. Accompanied by a lovable, meek little friend, his quest takes him on an unforgettable journey. Swamp monsters, knights in armor, duels, royal pageantry, and damsels in distress all abound in this story of timeless values. In the spirit of "Robin Hood," it's a robust, romantic tale: a feast for the eyes and a joy for the heart.

A woman who can hear what animals are thinking meets a man who hears the dead...

A woman commits suicide. In a series of flashbacks, her husband, a pawnbroker, tries to justify himself and consequently accuse her.

A filmed essay about the painter Bouts.

A film made for television, based on the book of the same name by Libera Carlier. A Flemish family decides to spend the summer holidays on de Schelde. Father Janssen buys a second-hand boat and together with his wife and two sons he sets sail. What follows is a sequence of pleasant moments and disappointments, watched by the sceptical mother Janssen.

Film version of the dance performance of the same name.

When his car breaks down, Luigi, a retired miner, meets the rebellious Anita, an orphanage refugee. Together, they have to run from the law.

A movie based on the novel of Ward Ruyslinck.

1989. Hugo (Michael Pas) is in his first master's year economics. At the same time he is training for the 110 meter hurdles. And he has another sport: chasing girls. But when his latest catch (Antje De Boeck) suddenly disappears, he's obsessively starts looking for her. She seems to have ended up in an idyllic, utopian countryhouse.

Docu-drama surrounding the events leading to the Soviet Union's invasion of Czechoslovakia in 1968.

Dutch composer Louis Andriessen collaborates with director Peter Greenaway on a commissioned short film to commemorate the 200th anniversary of the death of Mozart. Gods create Man, Music and Mozart.

Govert Miereveld is a lawyer from a small Flemish town who also teaches in a school for girls. He harbors a secret love for one of his young students, Fran, whom he loses touch with after her graduation. Some time later, Miereveld has to attend an autopsy, and the shock of the experience deeply affects his mental balance. He finds out - or he believes so - that Fran has become a popular singer. He arranges to meet her to finally reveal his feelings. An ambiguous but perhaps tragic denouement follows which might be a figment of the protagonist's disturbed mind.

For months filmmaker Thierry Knauff lived with the Cameroonian tribe, the Baka. This is his document of that time.