Belgische Radio en Televisie

Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. Her objective was to capture Pina Bausch's unparalleled art not only on stage by behind the scenes.

Placide's dad tells him on his deathbed he'll haunt Placide if he doesn't find a wife soon. Placide cautiously agrees, but he only wants to settle for a very beautiful woman. That might be easier said than done, since he is a vagabond. When he accidentally enters a photo shoot, Placide meets Sarah. He falls in love, but she is way out of his reach.

Docu-drama surrounding the events leading to the Soviet Union's invasion of Czechoslovakia in 1968.

Govert Miereveld is a lawyer from a small Flemish town who also teaches in a school for girls. He harbors a secret love for one of his young students, Fran, whom he loses touch with after her graduation. Some time later, Miereveld has to attend an autopsy, and the shock of the experience deeply affects his mental balance. He finds out - or he believes so - that Fran has become a popular singer. He arranges to meet her to finally reveal his feelings. An ambiguous but perhaps tragic denouement follows which might be a figment of the protagonist's disturbed mind.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

The film revolves around Ekster. Ekster is the nickname of a shrewd extortionist who plays a game with the police. The action takes place in the diamond world.

A film about friendship between forsaken boys.

"What are we actually doing here?" Miel asks Jack Van Poll, the pianist. "Earning a living, I suppose?" is the laconic reply. But Miel wants more out of life than playing in a jazz band, away from the worries of his wife and child who constantly need money from him. Between dream and deed... but then he is suddenly confronted with harsh reality.

The film describes the first working day of a twelve-year-old girl, shortly after the turn of the century. After a miserable childhood in a proletarian family, where she was mother to five toddlers, the sensitive girl follows in the footsteps of her parents and seventeen-year-old sister and sets off for the brickworks. The girl bravely defends herself at work, enduring the boys' bullying without tears, but when the day comes to an end, the foreman tells her that she must go to Krevelt, the boss, to be registered.

A 17 year old girl runs away form home and finds shelter with a 50 year old man with a psychiatric past.

We follow the small-time con artist Max and a white Lancia. The Lancia belongs to his mistress Lysette. Secretly renting out the Lancia to foreigners brings in a lot of money. Until it is used in a hit-and-run accident. And so Max ends up in a world of extortionists, gamblers, and blackmailed politicians.

A filmed essay about the painter Bouts.

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.

Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.

He's the "Rocky" of the 15th century-defender of the poor, enemy of evil, champion of justice. He's fearless and the strongest man in the land. He's ready and willing to take on all wrong doers-rich and poor. Accompanied by a lovable, meek little friend, his quest takes him on an unforgettable journey. Swamp monsters, knights in armor, duels, royal pageantry, and damsels in distress all abound in this story of timeless values. In the spirit of "Robin Hood," it's a robust, romantic tale: a feast for the eyes and a joy for the heart.

An interview with film director Josef von Sternberg, produced for Belgium television.

The film tells the story of Freek Groenevelt and Simone Marijnissen whose lives are taken over by Joachim Stiller.

An nobleman question an aged grave warden, whose sickness seems to be due to the ghosts who haunt his workplace.

Burdened with debt trauma, Mermans is murdered as the wife of Dingenen, a tired, unemployed man in his forties. All suspicions fall on him, but ultimately everything works out in this film adaptation of Aster Berkhof's novel of the same name.

A batch of bottles of gold liqueur (also known as Bruidstranen) containing the original drink mixed with clandestinely distilled, toxic methyl alcohol is put on the market. One bottle is purchased by a couple on their way to a wedding party. During the wedding, the television in the kitchen next to the reception hall is showing images of the port of Antwerp, where three sailors have died after drinking from a bottle of gold liqueur. The police launch a manhunt for the perpetrators and the remains of the batch.