Because Music

Two robots embark on a quest to become human.

During the three weeks of Justice's March 2008 North American tour, Romain Gavras, So Me and the band themselves tape every second of their escapades across the country and the chaos that ensued.

Antoine and Christian, two long-estranged brothers from Normandy, couldn’t be more different from each other: while the former is happily married with two kids and a successful boat driver, the latter is a facetious globe-trotting hustler who likes to engage in bar fights. But when Antoine starts getting involved in sleazy activities, Christian flies to his rescue. In an unexpected bonding-adventure they take upon themselves to defend the family they thought they’d never be.

This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.

A small church in Normandy turns out to be a heavenly setting for this session of Passengers, with Christine and the Queens performing tracks from last album Paranoïa, Angels, True Love.