Lab 80 film

This documentary is the result of a series of visits the filmmaker makes over the course of a year to the house of Pierino, a cinephile and a fascinatingly organized man.

Art documentary about the Accademia Carrara gallery, which reopened in 2015 after seven years of extensive restoration.

The story of Atalanta's Curva Nord from 1993 to the present day through the eyes of Claudio "Bocia" Galimberti, one of the most charismatic figures among the Bergamaschi ultras. The movie retraces the past thirty years of his life, closely intertwined with the events of the Curva and the ultras world in general, which has been undergoing a frantic and profound evolution.

Marco Belelli, aka Divino Otelma, is a well-known Italian philosopher and television personality. He has 6 degrees and owes his notoriety to his past career as a magician, chansonnier, politician. He is also the founder of the Theurgical Order of Elios and the Church of the Living, a cult with more than 20,000 followers, in which he has the role of a self-proclaimed God. Obstructed in the first stages of its production by the Covid-19 pandemic, the film unfolds over one long year of exchanges at distance between the director and the “Divine”, through Skype conversations in which the manifold topics relating to his multifaceted existence are treated. Significant figures who have been variously connected with his earthly life are also involved in this long journey of knowledge, contributing with their precious testimonies and blurring further our understanding of such a complex and layered figure.

Franco Piavoli is one of the most important directors among Italian independent panorama. Through the years, He built one unique and authentic cinematographic grammar. Born in 1933, He spent his whole life in Pozzolengo, a small village near Garda’s lake. There, He imagined, wrote and - for the most part - shot his own works. We visited him in his house, with us only two reels in super 8mm, and asked him to tell us about his next movie.

Bianca is a trans sex worker, whose life and work play out in her Milan flat. The camera follows her into her tiny realm: phone calls with clients, philosophy, sex and cigarettes, sing-songs with friends, conversations with her faraway girlfriend.

Northern Italy, mid-1960s. Carla is a novice architect and is called to supervise the construction sites of a series of public works in the countryside. Carla meets with a team of construction engineers, tasked with making structural measurements. Locked in the laboratory they reproduce scale models of buildings and landscapes. Their dedication is alienating, as they reproduce life in scale like aliens from another dimension. The more time passes, the less motivated Carla is to work with them. For her, building means being among people, in the world. She dreams of knocking down walls, rather than raising them, and seeing the sky. Instead the engineers are locked in the laboratory, where there is no sky and the sun cannot shine.

In 1965, Elio was eighteen years old and had just moved to Turin. Through a collage of letters from his parents, his friend Nino and his lover Raffaella, this impressive film brings his world back to life. Sketching out the story of a restless and rebellious youth, torn between responsibility and pleasure, Dear Monster immerses us in a heady tale that features an unexpectedly poignant conclusion.