Cinéphage Productions

Handheld skate video meets hardcore social realism in a sensational film with the energy of a three-chord punk song and an unruly group of street kids in front of the camera, shot over 10 wild years of their young lives.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Despite the war, school life continues in Ukraine, with pupils and teachers striving to continue learning even under constant threat. The film is a mosaic of the everyday lives of teachers and students from different corners of Ukraine.

Set as an experiment in a simulated cell in Oslo, three former political prisoners are locked up for three days with no film crew, to revisit their memories of Syria's darkest detention facilities.

Twelve-year-old Kir is travelling to a sanatorium in West Ukraine alongside his mother Olga. Surrounded by Carpathian mountains and with new unexpected acquaintances in their lives, each deals with a family trauma and tries to overcome an unresolved grief—the boy’s father, a Ukrainian Armed Forces soldier, went missing in the frontline.

A group of people with schizophrenia meet to discuss their daily lives with the voices in their heads.

Men on the streets get chased by stares. Someone’s walking a chihuahua, someone’s out jogging, but everyone’s uneasy glances are fixed at Petro and Andriy — recruitment officers inspecting military documents, holiday or not. When the officers encounter the freelance IT guy, Sashko, the young man has two requests before he’s taken away: that they stop by the store so he can buy food for his cat, and that he is allowed to bless his Easter bread.

On the heights of a mountain in North Macedonia, in the midst of a flock of 600 sheep being watched over by huge dogs, stands a refuge. Children's laughter escapes from the precarious shelter. They are a brotherhood, ranging from ages eight to twenty. When they are not hard at work, they are playing and discussing the meaning of life. Is their future really here?

An aging clockmaker repairs watches and recounts his memories as a political prisoner during the Romanian dictatorship. A film about routine, resilience and the echoes of time.

Based on diaries and photographs found in the houses destroyed during the Russian war against Ukraine, the film captures the stories of Mariupol, including that of the director’s family. It centers on the value of freedom and human life itself over the nonsensical statements repeated by totalitarian regimes, as witnessed throughout the history of the Azovstal plant.

While the children are enjoying their summer holidays, Basri, 8, heads off to the Macedonian mountains to join his brothers. They are the shepherds of hundreds of sheep, helped by huge dogs that protect them from wolves. For Basri, it's freedom, while his teenage brothers dream of elsewhere.