Ska-Ndal

'Honeymoons' shows us that the distance between Eastern and Western Europe is more than a question of kilometers. The films follows two couples, one is Albania, one in Serbia, who in the midst of wedding celebrations decide to leave their respective countries to realize their dreams in Western Europe. They soon find themselves trapped between their countries' past and their future lives together.

Filmmaker Mark Cousins goes to Albania for five days, and films what he sees. He discovers that the movie prints in the country's film archive are decaying. In investigating this, Cousins begins to encounter bigger questions about the history and memory of a place. Perhaps a country whose 20th Century, dominated by its authoritarian ruler Enver Hoxha, was so traumatic, should allow its film heritage to fade away? Perhaps a national forgetting should be welcomed? Influenced by the films of Chris Marker, Cousins' film broadens to consider the architecture of dictators and the great icon paintings of Onufri. In the past, when cartographers knew little about a country, they wrote on it Here be Dragons. Albania was, for decades, one of the least well know countries in the world. Cousins' road movie meditation takes the advice of Goethe: "If you would understand the poet, you must go to the poet's land."

A well-off young lesbian couple vacationing on a Greek island explores an abandoned hotel. An accident and a clash of different worlds set off a spiral of violence and revenge.

A young boy living in a house of women must race to save a woman who is teaching him Serbian, so that he can continue the search for his missing father.

Threatened by creditors, a newly unemployed man agrees to work for a debt collector, but soon discovers his deal with the devil has unexpected costs.

A Sardinian fisherman has promised the moon to the woman he loves. And Sardinian men always keep their promises.

A post-apocalyptic story of a society in quest of a future.