Kintop

Based on photographs taken on the arrest of political prisoners during the Portuguese dictatorship (1926-1974), this documentary aims to convey the mechanisms by which a dictatorial regime sought to sustain its existence throughout 48 years.

In the 60s, Vadim, a Soviet engineer, is in love with Vera, a researcher in biology. But their romance is suddenly disrupted by a mission entrusted to Vadim: sent to Egypt, he must participate in one of the great utopian ventures initiated by the USSR. Based on unpublished archives, this film is inspired by a true story.

Just after the Second World War, 5,000 young children were sent from Austria to stay with host families in Portugal, where they could recover from the violence of war. They were often welcomed in by well-to-do families with domestic staff living in sunny villas, and for most of the children this was a holiday in paradise. The contrast with their living conditions at home, and the huge difference between the lives of rich and poor in Portugal in this period, made a deep impression on the young Austrians.

Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928. His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less than a decade. Nowadays, Fordlandia is a space suspended between times, between the 20th and 21st centuries, between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass, and masonry still remain in use while traces of indigenous life left no marks on the ground.

An actress asks a sex worker to help her create a film in which they share secrets of their professions, and they become both filmmakers and characters.

Loves are found and lost. Families disappear and start. Houses, denouements, solitude, friendship. All that we keep, and all that we leave behind. Shot on Super 8 film between 2010 and 2018 in Portugal, Germany, Denmark, Switzerland, Italy, Guinea-Bissau, Argentina, Bolivia, Peru and Chile, ANYTHING AND ALL records the author’s memories as the days return to normal and emotions start to weaken, exploring the little ceremonies and other manias we indulge to remember our story.

Chronicles of rural life, misadventures from the past century, fights one must win to muster misery and resistance against servitude and wage labor in the South of Portugal.

Nonon is an orphan who left Mali and the Kaye region at the age of 14 to go to Europe, and who is today, after crossing the desert, in transit in the mountains of Morocco. We discover his terrible living conditions in the forests surrounding Nador, his daily life as well as that of sub-Saharans, the different paths they can take to get around the ban on entering the city of Nador, to escape the multiple roundups, the destruction of the camps in the mountains... Finally, we see the barrier crossed...

One hundred years after Portugal joining World War One, the narrator starts a quest to know more about his great-grandfather Francisco Nobre, who fought in the trenches in France. A group photography, where no one seems able to identify his great-grandfather, serves as a starting point to find out who was this man no one seems to remember.